De Gustibus

By Rachel Toor
chronicle

It is not for you to complete the task, but neither are you free to desist from it.

— Rabbi Tarphon

It begins when you read a piece of literature that reminds you why we read literature: an essay with sentences you wish you had written, a poem you receive like a gift, a novel that self-helps you better than any self-help book. You find yourself writing in the margin, using symbols that embarrass you (exclamation points!), scribbling YES!, and making stars, asterisks, and vertical lines to mark passages that you read and reread and read again aloud. With urgency and heat, you underline and highlight.

You elbow room for the work in the syllabus. You adjust the whole course to accommodate that one piece of writing. You can’t wait to assign it to students. It will change their lives. They will love you for this.

Then comes the day. You wait for the class to weigh in. You wait to hear from the student who always get it, the one you count on to point out what others have missed, who serves as a proxy for you and often leads the class. You wait to hear from the passionate reader whose mind, free from the itchy constraints of critical analysis, always finds something to like about a piece. You wait to hear from the student whose spoken language is tortured by notions of what he thinks sounds smart; usually you can barely figure out what he is trying to say, but that doesn’t stop him from going on about how much he got out of the reading. And you wait for the slacker who comes to class having no more than skimmed the assignment, yet who manages to say something, often funny, sometimes intentionally.

Then you notice they are all looking at their notebooks, fondling their iPads, doing anything else they can think of to avoid looking at you, with your face all kid-happy. Because they know that they are going to disappoint you. And then they do.

It was OK, one of them says.

It was too long.

I didn’t get it.

I thought it was boring, the slacker says.

The class leader claims it was sentimental, flawed.

The sentimental girl—the one who always finds something to love in a piece of writing—checks that her pen is still healthy and won’t make eye contact.

The work that induced that reaction six times, in graduate and undergraduate courses, at two universities and one medium-security prison, was an essay by the late A. Bartlett Giamatti, Red Sox fan, Renaissance scholar, president of Yale University, president of the National League, commissioner of baseball, firer of Pete Rose, swarthy smoker of cigarettes, and eloquent reader of texts, who died of a heart attack at age 51. Written when he was 40, the essay, called “The Green Fields of the Mind,” begins: “It breaks your heart. It was designed to break your heart.”

He continued: “There comes a time when every summer will have something of autumn about it. Whatever the reason, it seemed to me that I was investing more and more in baseball, making the game do more of the work that keeps time fat and slow and lazy. I was counting on the game’s deep patterns, three strikes, three outs, three times three innings, and its deepest impulse, to go out and back, to leave and to return home, to set the order of the day and to organize the daylight.”

In class I ask: What is the essay about? Students understand that it’s about the ways that baseball helps us to live, the immersion in the immediate, the appeal of illusions of something everlasting. It is not that they do not get it. They get it. This is not like when I ask them to read something challenging and complex, and their distaste comes from intimidation. With difficult texts, after we discuss them in class, they often see what they had missed and, in retrospect, come not only to admire but to like the work.

At first I thought the problem was that the students were too young, or that they hated sports, or that they were plain stupid. But no. My students just tend not to cotton to Giamatti’s flavor of sweetness. He ends the essay with this comment on those who were born with the wisdom to know that nothing lasts: “These are the truly tough among us, the ones who can live without illusion, or without even the hope of illusion. I am not that grown-up or up-to-date. I am a simpler creature, tied to more primitive patterns and cycles. I need to think something lasts forever, and it might as well be that state of being that is a game; it might as well be that, in a green field, in the sun.”

I love this essay. My students do not.

Bart Giamatti was my college president. Most of my friends remember the first speech he ever delivered to us, in the pomp and circumstance of Woolsey Hall, when we had been Yalies for about 15 minutes. He quoted to us the idea of the ancient Rabbi Tarphon: “It is not for you to complete the task, but neither are you free to desist from it.” We revered Giamatti and committed to not desisting from tasks, once we found out what it meant to “desist.”

When I started teaching his essay, I had passed more than 40 summers myself. I had followed baseball only once in my life, when I had lived in Brooklyn with my future ex-husband, and together we rooted for the 1986 Mets. We had a good season.

But I don’t think about baseball or my ex-husband when I read “The Green Fields of the Mind.” Instead, Giamatti’s sentences transport me back to Durham, N.C., where I had moved after my divorce. I spent hot summer evenings sitting on the hard bleachers of the old Durham Bulls’ stadium, next to my friend Scotty, listening to him talk about the Haitian revolution, about the Negro Leagues, about the inexpressible ickiness of cheeseburgers. He didn’t seem to be watching the game, but every time the crowd whooped and hollered he always knew what had happened on the field. Chipper, Javy, or one of the other boys—they were so young—had made a play. We didn’t know then, Scotty and I, how young we were.

I tell my students that the reader is always in it for herself; she will look to connect with some part of a work that reminds her of who she is, was, or wants to be. There are good and important pieces of literature, I tell them, that will not appeal because even while students may be able to see the art and craft of a work, they may not be able to read themselves into the feelings. There is a difference between taste and appreciation. And of taste, of course, there is no disputing.

As for me, I go back, again and again, to Giamatti’s essay to think about the ways in which literature helps us to live, helps us to understand the world and our place in it. I think about how reading good words makes our own better, and about what happens when I am so moved by a piece of writing that I want to sit down and write. I think about how Giamatti’s essay helps me to appreciate baseball, and how my experience with baseball—with Scotty—makes me love the essay. I realize “The Green Fields of the Mind” may not be as good as I want it to be, that my students may be right (too long, too slow, too sentimental), and I don’t care. It moves me every time.

My students are not going to resonate with everything I love. I know that. But I also know that if I pitch enough beautiful work at them, something will wallop them with the clean thud of a fast ball arrived in a mitt. Something will touch them, and that will bring them into the game. Their syntax will change in affectionate imitation; their ears will ring with riffs and harmonies. They will read in a way that makes them want to write, and their writing will be better.

10 Responses to the Phrase “Man Up”

1. Fuck you.

2. If you want to question my masculinity, like a schoolyard circle of curses, like a swordfight with lightsaber erections, save your breath. Because contrary to what you may believe, not every problem can be solved by “growing a pair.” You can’t arm-wrestle your way out of chemical depression. The CEO of the company that just laid you off does not care how much you bench. And I promise, there is no lite beer in the universe full-bodied enough to make you love yourself.

3. Man up? Oh that’s that new superhero, right? Mild-mannered supplement salesman Mark Manstrong says the magic words “MAN UP,” and then transforms into THE FIVE O’CLOCK SHADOW, the massively-muscled, deep-voiced, black-leather-duster-wearing superhero who defends the world from, I don’t know, feelings.

4. See I don’t drink a lot of beer… you know, because I’m not a “real man,” but I’m pretty sure that, of all the beers in the world, Miller Lite… is not the most flavorful brew. It kind of tastes like… whatever insecure jackass wrote these “man up” commercials got rejected by a beautiful, no-nonsense bartender, drank a six pack of REAL beer alone in his apartment, and then Miller bottled his tears.

5. You ever notice how nobody ever says “woman up?” They just imply it. Because women and the women’s movement figured out a long time ago that being directly ordered around by commercials, magazines and music is dehumanizing. When will men figure that out?

6. “Man Up” assaults our self esteem by suggesting that competence and perseverance are uniquely masculine traits. That women—not to mention any man who doesn’t eat steak, drive a pickup truck, have lots of sex with women and otherwise conform to gender norms absolutely—are nothing more than, background characters and props in a movie where the strong, stoic, REAL man is the hero. More than anything, though, it suggests that to be yourself—whether you, wear skinny jeans, listen to Lady Gaga, rock a little eyeliner, drink some other brand of light beer, or write poetry—will cost you.

7. How many boys have to kill themselves before this country acknowledges the problem? How many women have to be abused? How many trans people have to get assaulted? We teach boys how to wear the skin of a man, but we also teach them how to raise that skin like a flag and draw blood for it.

8. Boy babies get blue socks. Girl babies get pink socks. What about purple? What about orange, yellow, chartreuse, cerulean, black, tie-dyed, buffalo plaid, rainbow… there are so many beautiful colors and combinations of colors. Yet boy babies get blue socks. And girl babies get pink socks.

9. I want to be free, to express myself. Man up. I want to have meaningful, emotional relationships with other men. Man up. I want to be weak sometimes. Man up. I want to be strong in a way that isn’t about physical power or dominance. Man up. I want to cry if I feel like crying. Man up. I want to ask for help. Man up. I want to be who I am. Man up.

10. No.

Guante

Mentally handicapped man executed

Huntsville, Texas

Texas executed a death-row inmate this week despite evidence that the man had an IQ of only 61. Marvin Wilson, 54, was convicted of killing a police informant in 1992, but his lawyers argued that he should have been spared lethal injection because he was below the IQ threshold of 70 used by most states. The U.S. Supreme Court banned executions of mentally deficient prisoners in 2002, but left it up to states to define mental impairment. Texas’s standards are among the most restrictive in the country. Courts there ruled that Wilson’s low IQ was determined by a single, unreliable test. In setting its benchmark for mental disability, Texas courts cited John Steinbeck’s character Lennie from Of Mice and Men, arguing that a mentally handicapped person can still be responsible for his acts.

— The Week, August 17, 2012

Sentiment without action

Sentiment without action is the ruin of the soul.

— Edward Abbey

Hell is a place where you have nothing to do but amuse yourself.

— George Bernard Shaw

Meet the Beatles, Again

By Paul Greenberg
nytimes

“DO the Beatles have any other playlists besides ‘Sgt. Pepper’s’?”

So asked my 5-year-old as we sat on his bunk bed, staring into his iPod and listening to Ringo Starr sing “With a Little Help From My Friends.”

Even on this important year in Beatledom, the 50th anniversary of Ringo’s joining the band and finalizing the makeup of the Fab Four, I decided not to pounce on my son with the obvious correction. For Beatle love must flower on its own terms. I would not tell him that “Sgt. Pepper’s” was an album, not a playlist. That it was an extremely important album. That a genius had produced it.

Instead I told him that the Beatles did indeed have many playlists, they had fantastic playlists, monumental playlists. Playlists like “Rubber Soul,” “Abbey Road” and that magnum opus, “The White …” um, Playlist.

Then another troubling question.

“When the Beatles recorded their playlists, did they record them on voice memo?”

When my son behaves well I temporarily upgrade him from his creaky old legacy iPod and let him tinker on my iPhone. There, thanks to a baby sitter whose name I curse, he has discovered the voice-memo function. He uses voice memo for impromptu jam sessions with himself and crams my phone full of gigabytes until it freezes. Tears often ensue.

“Absolutely not,” I told him. “The Beatles never, ever used voice memo. They didn’t even have voice memo. They didn’t even know what voice memo was.” I went on to tell him that the Beatles put their songs on something flat, circular and black called an album.

“Where is the button on the album that you press to make it record?”

“Yeah, well, you see,” I said, scrambling. “They didn’t record directly on the album. First they recorded on a tape recorder. A tape recorder has a button.”

“But when you use a tape recorder, what do you record on?”

“Tape!”

“Oh, like masking tape?” he said, lunging for the art-supply drawer where both he and I knew three rolls of unused masking tape lay. I grabbed his arm before he could execute his plan.

“No, not masking tape.”

“Daddy, you’re hurting me.”

“Sorry,” I said. “But you can’t record voice memos on masking tape. They used something else. Something called recording tape.”

“Where is our recording tape?”

“We don’t have any. Recording tape doesn’t exist anymore.”

Seeing exasperation, he tried a different line.

“Do the Beatles live in a house?”

Oddly enough, this was something I can remember wondering myself, back in the early ’70s, a few years after the Beatles had torn themselves asunder. My own first experience of the Beatles was the film “Yellow Submarine,” in which, fans will recall, an early scene gives the very distinct impression that the Beatles do in fact all live together in a house. A giant house with mysterious doors that open and close at random, with surreal claptrap objects pouring out into corridors and the cartoon Beatles following behind in an old roadster.

“Well,” I said, “I think sometimes all the Beatles stayed in the same house. But I’m pretty sure each Beatle had his own house.”

“Whose house did they go to when they wanted to record playlists?”

Interesting question.

“I guess they probably went to Paul’s or John’s house.”

“Why?”

“Because Paul and John wrote most of the songs. But mostly they went to another house.”

“Where was that other house?”

“Abbey Road.”

A blank stare. A long pause.

“Can we go to John’s house?”

I knew somehow we were headed down this road that led past Abbey.

“No, we can’t.”

“Why not.”

“Because John is dead.”

“How did he die?”

“I don’t know,” I lied.

A long pause.

“Who else is dead?”

“George.”

“You mean there are only two Beatles left?”

Yes, I told him. There are only two left. Paul and Ringo. That is it. Paul, a man with a sweet, sweet voice, and Ringo, an endearing, cuddly sort of a guy with a long nose and interesting facial hair.

“How do you know that those Beatles are still alive?”

And then I remembered. All at once it came to me. I had seen Ringo. I had seen him in the flesh. I had been so close to him that I could have reached out and grabbed his crazy mustache. He had come to his stepdaughter’s graduation from Brown, and I had walked right past him when I went up to accept my diploma. And I told my son about this now. How Ringo had sat there smiling jauntily, his fingers literally covered in rings. Cool tinted ’80s half-shades rounded at the bottom concealed his hooded eyes, but even with all that he looked just like I imagined him. Ringo was exactly 100 percent Ringo.

I told my son all this. About how afterward I’d gone home and packed up my college house and all the while listened to all the Ringo songs on black vinyl discs called albums and how my friends and roommates all young and slim and beautiful and hopeful had danced in the empty space and how we’d all talked about Ringo, how laid back he was, how he was possibly in his own subtle humorous way perhaps the coolest Beatle of them all. And as I finished my story I realized tears were running down my cheeks and my voice was catching in my throat and I felt a winsome young fluttering feeling in my heart.

My son looked at me and nodded his head. He took a long inhale and looked past me through the window of our apartment.

“Someday,” he said wistfully. “Someday I want to be a Beatle.”

boygirl

[Editorial aside: My heart breaks for these kids.]

By Ruth Padawer
nytimes

The night before Susan and Rob allowed their son to go to preschool in a dress, they sent an e-mail to parents of his classmates. Alex, they wrote, “has been gender-fluid for as long as we can remember, and at the moment he is equally passionate about and identified with soccer players and princesses, superheroes and ballerinas (not to mention lava and unicorns, dinosaurs and glitter rainbows).” They explained that Alex had recently become inconsolable about his parents’ ban on wearing dresses beyond dress-up time. After consulting their pediatrician, a psychologist and parents of other gender-nonconforming children, they concluded that “the important thing was to teach him not to be ashamed of who he feels he is.” Thus, the purple-pink-and-yellow-striped dress he would be wearing that next morning. For good measure, their e-mail included a link to information on gender-variant children.

When Alex was 4, he pronounced himself “a boy and a girl,” but in the two years since, he has been fairly clear that he is simply a boy who sometimes likes to dress and play in conventionally feminine ways. Some days at home he wears dresses, paints his fingernails and plays with dolls; other days, he roughhouses, rams his toys together or pretends to be Spider-Man. Even his movements ricochet between parodies of gender: on days he puts on a dress, he is graceful, almost dancerlike, and his sentences rise in pitch at the end. On days he opts for only “boy” wear, he heads off with a little swagger. Of course, had Alex been a girl who sometimes dressed or played in boyish ways, no e-mail to parents would have been necessary; no one would raise an eyebrow at a girl who likes throwing a football or wearing a Spider-Man T-shirt.

There have always been people who defy gender norms. Late-19th-century medical literature described female “inverts” as appallingly straightforward, with a “dislike and sometimes incapacity for needlework” and “an inclination and taste for the sciences”; male inverts were “entirely averse to outdoor games.” By the mid-20th century, doctors were trying “corrective therapy” to extinguish atypical gender behaviors. The goal was preventing children from becoming gay or transgender, a term for those who feel they were born in the wrong body.

Many parents and clinicians now reject corrective therapy, making this the first generation to allow boys to openly play and dress (to varying degrees) in ways previously restricted to girls — to exist in what one psychologist called “that middle space” between traditional boyhood and traditional girlhood. These parents have drawn courage from a burgeoning Internet community of like-minded folk whose sons identify as boys but wear tiaras and tote unicorn backpacks. Even transgender people preserve the traditional binary gender division: born in one and belonging in the other. But the parents of boys in that middle space argue that gender is a spectrum rather than two opposing categories, neither of which any real man or woman precisely fits.

“It might make your world more tidy to have two neat and separate gender possibilities,” one North Carolina mother wrote last year on her blog, “but when you squish out the space between, you do not accurately represent lived reality. More than that, you’re trying to ‘squish out’ my kid.”

The impassioned author of that blog, Pink Is for Boys, is careful to conceal her son’s identity, as were the other parents interviewed for this article. As much as these parents want to nurture and defend what makes their children unique and happy, they also fear it will expose their sons to rejection. Some have switched schools, changed churches and even moved to try to shield their children. That tension between yielding to conformity or encouraging self-expression is felt by parents of any child who differs from the norm. But parents of so-called pink boys feel another layer of anxiety: given how central gender is to identity, they fear the wrong parenting decision could devastate their child’s social or emotional well-being. The fact that there is still substantial disagreement among prominent psychological professionals about whether to squelch unconventional behavior or support it makes those decisions even more wrenching.

Many of the parents who allow their children to occupy that “middle space” were socially liberal even before they had a pink boy, quick to defend gay rights and women’s equality and to question the confines of traditional masculinity and femininity. But when their sons upend conventional norms, even they feel disoriented. How could my own child’s play — something ordinarily so joyous to watch — stir up such discomfort? And why does it bother me that he wants to wear a dress?

Despite the confident tone of the letter Alex’s parents wrote to the preschool parents, Susan was terrified. She feared Alex’s fascination with femininity would make him a target of bullying, even in the progressive New England town where they live. She felt tortured by statistics that indicated gay and transgender teenagers, either of which she figured Alex might become, were much more likely to take drugs and commit suicide. She began having panic attacks. “The whole thing was vertiginous,” she said. “It’s hard to put a finger on why gender identity makes such a difference to our sense of who a person is, but it does. As a parent, it’s really destabilizing when that’s pulled out from under you. And I worried that if I was having a hard time wrapping my mind around my kid, and I love him more than life itself, then how would the rest of the world react to him?”

Relatively little research on gender-nonconforming children has been conducted, making it impossible to know how many children step outside gender bounds — or even where those bounds begin. Studies estimate that 2 percent to 7 percent of boys under age 12 regularly display “cross-gender” behaviors, though very few wish to actually be a girl. What this foretells about their future is hard to know. By age 10, most pink boys drop much of their unconventional appearance and activities, either because they outgrow the desire or subsume it. The studies on what happens in adulthood to boys who strayed from gender norms all have methodological limitations, but they suggest that although plenty of gay men don’t start out as pink boys, 60 to 80 percent of pink boys do eventually become gay men. The rest grow up to either become heterosexual men or become women by taking hormones and maybe having surgery. Gender-nonconforming behavior of girls, however, is rarely studied, in part because departures from traditional femininity are so pervasive and accepted. The studies that do exist indicate that tomboys are somewhat more likely than gender-typical girls to become bisexual, lesbian or male-identified, but most become heterosexual women.

Alex was clearly in that small percentage of boys who trample gender barriers. At age 3, he insisted on wearing gowns even after preschool dress-up time ended. He pretended to have long hair and drew pictures of girls with elaborate gowns and flowing tresses. By age 4, he sometimes sobbed when he saw himself in the mirror wearing pants, saying he felt ugly.

Worried, his mother scoured the Internet for information. She and Rob found much to support their gut impulse to affirm rather than repress their son’s unconventional gender expression. Only a few years ago, such encouragement would have been hard to find, but the gay rights movement has made a big difference. Moreover, the visibility of transgender people — be it running for office or tangoing on “Dancing With the Stars” — has provided an opening for those who fall between genders. Though acceptance is not yet widespread, many school districts and local governments now ban discrimination based on gender identity or expression.

Transgender activists have also pressed for changes in the psychiatric establishment, which still officially considers children’s distress over gender identity a mental illness. Now the American Psychiatric Association is reviewing the diagnosis of “Gender Identity Disorder in Children” for the next edition of the Diagnostic and Statistical Manual of Mental Disorders. Critics, though, condemn the association’s choice of Dr. Kenneth Zucker to lead the inquiry. Zucker is the head of a well-known gender-identity clinic in Toronto and the most prominent defender of traditional interventions for gender nonconformity. He urges parents to steer their children toward gender-typical toys, clothes and playmates and advises them to prohibit behaviors associated with the other sex. Zucker’s academic articles assert that while biology may predispose some children to gender nonconformity, other factors — like trauma and emotional disorders — often play a role. Other contributing causes he cites include overprotective mothers, emotionally absent fathers or mothers who are hostile toward men.

Transgender advocates and sympathetic clinicians argue that telling children in that middle space to abolish their cross-gender interests makes them more distressed, not less. There is also little to no evidence that therapeutic interventions change the trajectory of a child’s gender identification or sexual orientation. Clinicians who oppose traditional treatments contend that significant gender nonconformity is akin to left-handness: unusual but not unnatural. Rather than urging children to conform, they teach them how to respond to intolerance. They encourage parents to accept their children’s gender expression, especially because studies show that parental support helps to inoculate gender-atypical children against ostracism and deflated self-esteem.

Just how many parents choose this approach over the traditional no-tolerance one is unknown. What is clear is that in the last few years, challenges to the conventional model have become increasingly common in the United States and Europe, in medical publications and among professionals and parents themselves. “The climate has changed,” said Edgardo Menvielle, head of one of the world’s few programs for gender-nonconforming youth, at Children’s National Medical Center in Washington. “A lot of parents don’t even go to clinicians anymore. They go to Web sites and listservs, which influence how they think about gender. More parents decide that making their child conform to a gender will damage his self-esteem, and I’d agree. I would argue it’s not even ethical to say to a child, ‘This is the gender you must be.’ ”

In Washington, Menvielle runs a support group for parents that he founded with a psychotherapist named Catherine Tuerk. When Tuerk’s gender-atypical son was a child three decades ago, she consulted a psychiatrist, who told her to keep her son away from girl toys and girl playmates, and to encourage aggressive behavior. So she and her husband signed up their gentle boy for karate and soccer and took him to psychoanalysis four times a week for years. He became sullen and angry. At 21, he told his parents he was gay. In time, she and her husband viewed their efforts as unwitting abuse. Tuerk vowed to help others avoid the same mistakes.

Alex’s mother, Susan, found Tuerk in her Internet search when Alex first begged to wear a dress to preschool. After a long phone conversation with Tuerk, Susan bought her son a few dresses. To Alex’s irritation, people on the street often mistook him for a girl. “I just hate being misunderstood,” he told his baby sitter. When his parents asked if he wanted them to refer to him as “she,” he said, “No, I’m still a he.”

Susan and Rob wondered if Alex would eventually become transgender. They knew more doctors were giving puberty-blocking hormones to pubescent children considering a transition to the other sex. The hormones not only buy time but also spare the young teenagers the angst of developing secondary sex characteristics that feel terribly wrong to them. Even Zucker supports hormones for teenagers who want to become the opposite sex, because mounting evidence indicates it best eliminates their misery. Yet many question whether adolescents are mature enough to make such life-altering decisions, especially when the drugs’ long-term effects are unknown.

Though Alex was a long way from facing those decisions, the possibility hovered in Susan’s mind as she watched his emotional upheaval that autumn in preschool. He became obsessed with a particular lavender dress and fell apart whenever it was in the wash. Alarmed, Susan and Rob decided to limit dress days to Tuesdays and Saturdays, telling Alex he couldn’t fairly expect them to launder it more often. Their fuller reason was more complicated. For one thing, they didn’t have the emotional strength to take him out in a dress every day, to deal with the double takes and the implied judgments. For another, they had noticed how, depending on his mood and his clothing, Alex comported himself in very different gendered ways. While they continued to furnish Alex with toys and activities from all across the gender spectrum, they hoped that more time in boy clothes might help him feel more comfortable with society’s expectations for his biological sex, especially given the likelihood that he’d grow into a male-identified adult.

Still, it was hard not to wonder what Alex meant when he said he felt like a “boy” or a “girl.” When he acted in stereotypically “girl” ways, was it because he liked “girl” things, so figured he must be a girl? Or did he feel in those moments “like a girl” (whatever that feels like) and then consolidate that identity by choosing toys, clothes and movements culturally ascribed to girls? Whatever the reasoning, was his obsession with particular clothes really any different than that of legions of young girls who insist on dresses even when they’re impractical? Or any different than tomboys who are averse to those same clothes?

No one knows why most children ease into their assigned gender roles so effortlessly and others do not. Hormone levels might play a role. One hint is provided by a rare genetic condition known as congenital adrenal hyperplasia, or C.A.H. The condition produces high levels of androgens, including testosterone, early in gestation, and can create somewhat male-like genitalia in genetic females. Girls with C.A.H. are typically raised as females and given hormones to feminize, yet studies show they are more physically active and aggressive than the average girl, and more likely to prefer trucks, blocks and male playmates. Though most turn out to be heterosexual, women with C.A.H. are more likely to be lesbian or bisexual than women who weren’t bathed in prenatal androgen.

Genetics might also be a factor in gender expression. Researchers have compared the gendered behavior of identical twins (who share 100 percent of their genes) with that of fraternal twins (who share roughly half). The largest study was a 2006 Dutch survey of twins, 14,000 at age 7 and 8,500 at age 10. The study concluded that genes account for 70 percent of gender-atypical behavior in both sexes. Exactly what is inherited, however, remains unclear: the specific behavior preferences, the impulse to associate with the other gender, the urge to reject limits imposed on them — or something else entirely.

Whatever biology’s influence, expressions of masculinity and femininity are culturally and historically specific. In the 19th century, both boys and girls often wore dresses and long hair until they were 7. Colors weren’t gendered consistently. At times pink was considered a strong, and therefore masculine, color, while blue was considered delicate. Children’s clothes for both sexes included lace, ruffles, flowers and kittens. That started to change in the early 20th century, writes Jo Paoletti, a professor of American studies at the University of Maryland and author of “Pink and Blue: Telling the Boys From the Girls in America.” By then, some psychologists were arguing that boys who identified too closely with their mothers would become homosexuals. At the same time, suffragists were pushing for women’s advancement. In response to these threatening social shifts, clothes changed to differentiate boys from their mothers and from girls in general. By the 1940s, dainty trimming had been purged from boys’ clothing. So had much of the color spectrum.

Women, meanwhile, took to wearing pants, working outside the home and playing a wider array of sports. Domains once exclusively masculine became more neutral territory, especially for prepubescent girls, and the idea of a girl behaving “like a boy” lost its stigma. A 1998 study in the academic journal Sex Roles suggests just how ordinary it has become for girls to exist in the middle space: it found that 46 percent of senior citizens, 69 percent of baby boomers and 77 percent of Gen-X women reported having been tomboys.

These days, flouting gender conventions extends even to baby naming: first names that were once unambiguously masculine are now given to girls. The shift, however, almost never goes the other way. That’s because girls gain status by moving into “boy” space, while boys are tainted by the slightest whiff of femininity. “There’s a lot more privilege to being a man in our society,” says Diane Ehrensaft, a psychologist at the University of California, San Francisco, who supports allowing children to be what she calls gender creative. “When a boy wants to act like a girl, it subconsciously shakes our foundation, because why would someone want to be the lesser gender?” Boys are up to seven times as likely as girls to be referred to gender clinics for psychological evaluations. Sometimes the boys’ violation is as mild as wanting a Barbie for Christmas. By comparison, most girls referred to gender clinics are far more extreme in their atypicality: they want boy names, boy pronouns and, sometimes, boy bodies.

Some cultures develop categories for those whose behavior doesn’t fit gender conventions. In Samoa, biological males who adopt feminine mannerisms are accepted as a third sex, called fa’afafine. In the U.S., some who occupy that “middle space” call themselves “genderqueer,” but it is hardly a well-established cultural concept.

“People rely on gender to help understand the world, to make order out of chaos,” says Jean Malpas, who heads the Gender and Family Project at the Ackerman Institute in Manhattan. “It’s been a way of measuring someone’s well-being: ‘Are you adjusted? Do you fit? Or are you unhinged?’ The social categories of man/woman, boy/girl are fundamental, and when an individual challenges that by blurring the lines, it’s very disorienting at first. It’s as if they’re questioning the laws of gravity.”

So it is for Moriko and her husband, who struggled for years to understand their son’s attraction to girls’ clothes even though it made him a social pariah. “I was sad and I was scared, really scared,” Moriko said. “This kind of stuff is not in ‘What to Expect When You’re Expecting.’ I didn’t know what to do, what to think or what was going to happen.” They took their 7-year-old son to a New York City psychologist, hoping for guidance and support. Instead, the therapist blamed them for their son’s femininity, saying Moriko was emotionally detached and her husband too absent. She advised them to confiscate the boy’s dolls and girlish clothes and to find him male friends. They followed her instructions, but their son was miserable, and they ultimately rejected the therapist’s analysis. “It became clear this couldn’t be the right way,” Moriko said. “It was damaging all of us.”

By the time her son was 9, Moriko and another mother had started a support group for families looking to accept, not change, their children’s gender expression. They offered one room for parents to talk and another for the children to play. Today more than 20 families are in the group. A few of the kids now take hormone blockers. A few others have come out as gay. Moriko’s son is still wavering.

Moriko’s son will soon enter eighth grade in his Long Island public middle school. Most of his friends are girls, and he dresses just like them: skinny jeans, black eyeliner, light lipstick and off-the-shoulder shirts from the girls’ department. (Moriko makes him wear a tank top underneath.) When his teachers asked which pronoun they should use when referring to him, he said masculine. But he doesn’t want to be called a boy, or a girl.

“This is a kid who is smack in the middle,” Moriko said. “His feet are getting bigger, his voice is starting to deepen. He doesn’t want to start blockers. We don’t really know what’s next.” She sighed and then started to cry. “His therapist said to me, ‘I know you’ve been living without a gender box for a very long time, and I know it’s frustrating and confusing, but right now, he just doesn’t want to be in a box.’ I’m not trying to label him, but it’s hard not to wonder what he is, if he’s not a boy and he’s not a girl. Sometimes I worry that not being in a box isn’t healthy, either, even if the box is ‘gay’ or ‘genderqueer.’ I just want to be able to wrap my head around some concept. I know I have to be patient, but sometimes I feel like an emotional hostage, because as his parent, it’s my job to help him be whatever he wants to be, and I can’t do that if he doesn’t know where he’s headed.”

Gender nonconformity is a touchy subject, and parents who celebrate it in their children can be judged harshly. When J. Crew ran an ad of its president painting her son’s toenails neon pink, with copy that read, “Lucky for me, I ended up with a boy whose favorite color is pink,” one commentator said she was exploiting her son “behind the facade of liberal, transgendered identity politics.” Then there was Kathy Witterick and David Stocker, the Toronto couple inadvertently caught in a critical spotlight when word spread that they wouldn’t reveal their newborn’s sex because they wanted to free him or her from gender expectations. The idea came from their 6-year-old son, Jazz, who has insisted for the last three years on picking his clothes from the girls’ section of the store.

“I didn’t go into parenting thinking I wanted to deconstruct the notions of gender with my children,” Witterick told me. “I had enough life experience to know that the way we construct masculinity sets men up to either be victimized because they’re wimps, or to be victimizers to prove they’re not. But I will freely admit to you that the first time Jazz selected a dress off the store shelf, I did not know what to do. There were beads of sweat on my forehead.”

Ellen R. and her 10-year-old son, Nick, live in a small New Jersey suburb. Nick sometimes spends hours a day drawing gowns for his 36 Barbies and designing them for himself or his dolls, using fabric, ribbon and rubber bands. For a while, Nick was able to keep his interest hidden. But one day in second grade, a friend stopped by unexpectedly and saw Barbies sprawled in the living room. The boy ran out of the house. In school the following day announced to the class, “Nick plays with dolls.”

“Everyone looked at me,” Nick told me. “I wanted to yell, but you’re not supposed to yell in school. So I said it wasn’t true. But no one believed me.” He was quiet for a while, concentrating on an uncooperative lock of a Barbie’s hair. “He was my friend. That was the worst part of it.”

In the two years since, Nick hasn’t had a single play date.

Ellen’s conviction that Nick shouldn’t be ashamed of who he is runs deep. Yet she nonetheless battles a fear of being shunned. “When your kid’s girly in preschool, the other parents might think it’s cute. But it’s not cute once your kid is in elementary school, especially the older he gets. I sit next to parents at events, I volunteer with the P.T.A., and it’s hard not to wonder, are they out there making fun of me and my kid?”

For other parents, the discomfort is even more intense. When Jose was a toddler, his father, Anthony, accepted his son’s gender fluidity, even agreeing to play “beauty shop.” But as Jose got older and it became clear his interests weren’t just a passing phase, Anthony recoiled. He struggled with confusion, disappointment and alienation from his own child, who called himself a “girl-boy.” Though Anthony tried to hide it, he often cringed when he saw Jose prancing in a neighbor’s flowered dress or strutting in a friend’s wig.

Sometimes, Anthony fled wherever Jose was playing. Other times, he confronted his boy. If Jose walked outside carting a Barbie, Anthony would scowl: “Do you have to carry it allthe time?” Once when Jose was 3 and wearing a dress every day, Anthony pleaded: “Jose! You’re a boy! You’re not a girl — you’re a boy!” and then started to cry. Jose slipped out of bed, padded over to his weeping father and patted his head. “I just didn’t know how to relate to him,” he recalled recently. “I didn’t know how to be the father of a girl inside a boy’s body.”

Anthony and his wife, who live in New York, found a supportive listserv and began seeing a psychiatrist, who urged them to allow Jose to play with toys of his choosing. In a therapeutic compromise, he suggested letting Jose wear whatever he wanted at home, but restricting dress-wearing in public to shield him from derision. The summer after kindergarten, Jose and Anthony attended a retreat for gender-atypical children. Seeing how happy the boys were running around in girly clothes affected Anthony deeply. Afterward, he and his wife joined a support group and enrolled Jose in a prestigious ballet school, where he is thriving. His talent makes Anthony proud.

Jose is almost 9 now. He’s interested in Legos and in cartoons of boys who fight crime and evil aliens. He rarely reaches for a dress, and he’s happy to be a boy, but he still plays with dolls. Anthony is fine with all that, though he reluctantly admits that he’s still distressed when his son talks or moves flamboyantly, and he’s not sure why. Anthony has apologized to Jose. “I’ve told him that I was just close-minded. I say: ‘I really didn’t get it. I didn’t know anybody like you, so it took me a while to get used to it. And I’m really sorry.’ And more than once, he’s said, ‘I forgive you.’ ”

Boys and men do have more latitude these days to dress and act in less conventionally masculine ways. Among straight men, long hair and (certain) necklaces and (certain) pairs of earrings are almost normative, at least in some communities. Plenty of men wax their eyebrows, get manicures and wear pink. In some parts of the country, these shifts have provided an opening for boys who buck some gender norms.

James, for example, is a 14-year-old boy who from age 5 to 10 had long hair, wore feminine clothes and was frequently mistaken for a girl. It was an error that seemed neither to bother nor delight him. By fifth grade, though, he had abandoned most of his skirts. A year later, he was so adamant about being known as a boy that he ordered his parents never to mention his feminine past around his friends.

James is now nearly six feet tall, and his voice is low. His hair still falls down his back, and he dyes the ends pink. When he is with male buddies, they play video games and create digital animé characters. When he’s with female friends, they playact, using wigs and high voices. They brush and braid one another’s hair.

At a coffee shop near their Cambridge home, his father told me that he initially discouraged James from wearing dresses in public as much to protect his own ego as that of his son. But his embarrassment has long since turned to pride. “He’s just this very brave person,” the father said. “I’ve learned so much from him. . . . In college I remember wondering why the femme gay guy wouldn’t just act more butch so people wouldn’t give him a hard time. I didn’t think it was right for people to give him a hard time, but I thought, Hey, you bring it on yourself. Now I know that’s wrong. My son showed me this is part of core identity, not something people just put on or take off. And it’s not their job to make sure we’re all comfortable.”

One day this spring I went to a playground with an 8-year-old boy named P. J. A pink ribbon with sparkly butterflies held back his thick black curls, which he occasionally flipped dramatically. He was wearing a serpent-and-skeleton bike helmet, a navy Pokémon T-shirt, black-and-pink stretch pants, a fuchsia sweatshirt and an iridescent heart necklace. As he and a friend raced happily around the park in a loud game of tag, they accumulated new pals.

After playing for half an hour, a few kids huddled to catch their breath and finally introduce themselves. One 10-year-old girl’s eyes opened wide. She turned to me, the closest adult. “Do you know she’s a he?” Yes, I nodded. Certain that I’d misunderstood, she pointed at P. J., who was right next to her. “No!” she said. “She is a he!”

P. J.’s parents allow him to wear dresses in public, which he does judiciously, based on how likely it is he’ll be hassled. (Yes to the dentist’s office; no to his grandparents’ place.) In school, however, his parents say he can wear anything but dresses, figuring that one item has more TNT than all pink and sparkly things combined. P. J. told me he wears “girl” shirts (he used his fingers to make quote marks) three days a week and “boy” shirts the other two. Most of the time, he chooses pants that are pink or purple. Despite the fact that his parents paid for a half-day of gender-diversity training for the staff at P. J.’s school, he is still sometimes teased on the bus or during recess. “Some of the boys in school make fun of me,” he says. “They keep asking,” and here he switches to a whiny voice, “ ‘Are you a boy or a girl? I forgot.’ And then they ask again the next day. They can’t just forget after one day. They’re just trying to be mean. They say I should cut my hair because it makes me look like a girl, and looking like a girl is bad. It’s not their business, but they say it anyway.”

P. J.’s favorite video game, Glory of Heracles, features an ambiguously gendered character that P.J. described as a girl who wants to be a boy.

“Do you feel like that?” I asked him one day at his house.

“No, I don’t want to be a girl,” he said, as he checked himself out in his bedroom mirror and posed, Cosmo-style. “I just want to wear girl stuff.”

“Why do you want to be a boy and not a girl?” I asked.

He looked at me as if I were daft. “Because I want to be who I am!”

By way of explanation, he told me about a boy in his third-grade class who is a soccer fanatic. “He comes to school every day in a soccer jersey and sweat pants,” P. J. said, “but that doesn’t make him a professional soccer player.”

He’s right: no one looks twice at the soccer-star wannabe, whereas boys like P. J. or Alex are viewed with distress, especially the older they get.

For that reason, last summer, as Alex’s parents contemplated his start at the local elementary school, they feared children there might bully him. So they decided to forbid dress-wearing to kindergarten. Alex didn’t take it too hard. By then, his dress requests had petered out to every few weeks anyway, and he typically wore boy clothes, though he still liked wearing a rainbow-bead necklace and nail polish. Besides, his parents had told him that socks, shoes, nail polish and jewelry were up to him — a way to express himself while safely testing the waters.

Toward the end of the first week of kindergarten, Alex showed up in class wearing hot-pink socks — a mere inch of a forbidden color. A boy in his class taunted, “Are you a girl?” Alex told his parents his feelings were so hurt that he couldn’t even respond. In solidarity, his father bought a pair of pink Converse sneakers to wear when he dropped Alex off at school.

Alex’s teacher, Mrs. C., jumped in, too. During circle time, she mentioned male friends who wore nail polish and earrings. Mrs. C. told them that when she was younger, she liked wearing boys’ sneakers. Did that make her a boy? Did the children think she shouldn’t have been allowed to wear them? Did they think it would have been O.K. to laugh at her? They shook their heads no. Then she told them that long ago, girls weren’t allowed to wear pants, and a couple of the children went wide-eyed. “I said: ‘Can you imagine not being able to wear pants when you wanted to? If you really wanted to wear them and someone told you that you couldn’t do that just because you were a girl? That would be awful!’ ” After that, the comments in the classroom about Alex’s appearance pretty much stopped.

It took Alex several weeks to rouse his courage again. And then, about once a week, he would pull on his pink socks and sparkle kitten sneakers and head boldly off to kindergarten.

Sick

I am sick.

True, I may not be at this moment, but I am sick nonetheless.

What are you talking about? you ask.

I am talking about this illness which has singled me out for life. Which has been with me since my birth, hangs over my head, taunts me, threatens me, strikes suddenly at its will.

There’s no reason to beat around the bush by calling it “asthma,” like the Greeks.

I am constantly at my last breath — I am “rehearsing death,” as my doctor says — and sooner or later, without any doubt, this illness is going to permanently achieve what it’s been practicing for years. I cannot, after all, be expected — can I? — to continue drawing on my last breath forever.

Sure, there are other ailments in the world — and trust me, I’ve had my share — but none of them, in my opinion, is more unpleasant than this. That’s not surprising — is it? –since with any other kind of illness you’re only that: you’re ill. But with this sickness I am always at death’s door, knocking.

I imagine that you’re thinking now, But surely as you write this you must be feeling better!

You’re wrong. I don’t. Because that’s like thinking that I would be relieved because the latest attack has passed, ignoring the fact that soon enough another attack will come. The accused man doesn’t believe that he’s won his case, now, does he, just because he’s gotten an extension of his trial?

Yet even as I fight for breath, day after day after day, sometimes I find comfort in reflecting on my state.

“So,” I say to death, “you’re having another go at me. Well, go ahead! Come and get me! I had my own go at you long ago.”

You did? you ask.

I did. Back before I was born. Death, you see, is just a state of “unbeing.” And we have all experienced that while waiting for life to start. Death, therefore, will be the same after our lives as it was beforehand. So if there’s any heartache in the period that’s to follow this one, surely there must have been some in the period preceding this. And yet, none of us can recall any distress from that time. I ask you, then: Isn’t it stupid to believe that a lamp is suffering any more after it’s been put out then it was before it was lit?

We are lit and put out. We are born and die. We suffer a little in the intermission, but on either side of life I know there is deep tranquility. I know that death doesn’t follow only; I know it precedes as well. That is why it shouldn’t matter to us whether we cease to be — or even never be — because the experience of both is simply nonexistence.

This is how I talk to myself whenever I’m under attack. I do it quietly, of course, in spurts beneath quickened breaths. But then, little by little, the attack loosens its grip on me and my breathing returns to pants, and my thinking becomes more clear.

My latest attack still lingers of course. I can feel its catch and release in my lungs even now. But let it do as it pleases. Just as long as my heart’s still going you can be assured of this: I’m not afraid of my last hour. I’m prepared, but not planning.

It’s the man who finds true joy in life — and who still doesn’t feel remorse at having to leave what he has behind — who should be the most admired.

But you see: I wouldn’t know. I’m not joyful. It would seem to me very hard for this man to approach death as I do. Leaving a life that one enjoys would feel like an expulsion.

I’m not being expelled, however.

I am merely departing.

A wise man cannot be evicted from a place he is not a part of.

— Lucius Seneca
105 AD
(translated by John D’Agata)

American Boredom

Never has any country given its people so many toys to play with or sent such highly gifted individuals to the remotest corners of idleness, as close as possible to the frontiers of pain.

— Saul Bellow, Humboldt’s Gift

Happy are they who can sit in the sun without hidden thoughts

[n.d.; before 1929]

Even if I really wanted to create (…)

The only true art is construction. But the modern ambience makes the appearance of the qualities of construction impossible in the spirit.

For which reason science developed. Machines are the only things in which there is construction today, the only argument in which there is a linkage or a mathematical proof.

The power to create needs a point of departure, the crutch of reality.

Art is a science.

It suffers rhythmically.

I can’t read because my hyper /burning/ critical faculty can only reveal defects, imperfections, possibilities for improvement. I cannot dream because I feel the dream so vividly that I compare it with reality in such a way that I feel it’s not real, and so its value disappears. I cannot amuse myself in the innocent contemplation of things and men because my anxiety to delve deeper is inevitable, and since my interest cannot exist without that anxiety, it either has to die at its hands or dry up.

I cannot amuse myself with metaphysical speculation because I know only too well from my own experience that all systems are defensible and intellectually possible; and that I lack the power to forget that the aim of metaphysical speculation is to seek truth in order to enjoy the metaphysical art of constructing systems.

A happy past in whose memory I become happy again; with nothing in the present to make me happy or interest me, with nothing in dreams or hypotheses about a future different from this present, or that I might have a past other than this past — I lie down in my life, a conscious spectator in a paradise where I’ve never been, a cadaver born from hopes I’ve yet to have.

Happy are they who suffer with unity! Those whom anguish alters but does not divide, who believe even within disbelief and can sit in the sun without hidden thoughts.

— Fernando Pessoa (a.k.a. Bernardo Soares),
The Book of Disquiet, 152

Words are never enough

The September 20, 1943 issue of LIFE magazine published the first image of dead American servicemen that American civilians had been allowed to see in the twenty-one months since Pearl Harbor.

Here lie three Americans. What shall we say of them? Shall we say that this is a fine thing, that they should give their lives for their country? Why print this picture anyway of three American boys, dead on an alien shore? The reason is that words are never enough. The eye sees. The mind knows. The heart feels. But the words do not exist to make us see, or know, or feel what it is like, what actually happens. …

And so here it is. This is the reality that lies behind the names that come to rest at last on monuments in the leafy squares of busy American towns. The camera doesn’t show America and yet here on the beach is America, three parts of a hundred and thirty million parts, three fragments of that life we call American life: three units of freedom. So that it is not just these boys who have fallen here, it is freedom that has fallen. It is our task to cause it to rise again.

— Life Magazine
September, 1943

When Gay Men Think Baseball Caps Make Them Masculine

By Rich Juzwiak
prideandshame

Recently, I received a piece of advice: “You should wear a cap.” As this was unsolicited, I asked what my friend’s boyfriend was talking about.

“You should get a fitted cap and wear it out if you want to pick up guys,” he elaborated. “They will flock to you. Guys love guys in fitted caps.”

Oh.

“I don’t need a cap,” I told him. I’m not a big fan of having my head covered, and I’m sure my clumsiness would have me dragging the brim on walls and hitting people in the eyes with it. A cap is one more thing to forget and I already live in fear of losing any of my 13 precious sunglasses. I don’t have time for that much anxiety in my life. Wearing a cap just wouldn’t be me.

But most of all, I do OK. If I see someone I like the looks of, I say something. Beyond that, I don’t need anything, certainly not a flock. I don’t even know if I could value one that came as the result of a cap, which I’ve long considered the cheat of cheats — the easiest, most temporary way of projecting butchness in the entire Land of Gay.

The cap will get you every time. Look past the cap. Never trust a big butt and a cap. These are the things I believe because I know the power of the cap. I even mentioned it last time. The cap works.

Plus, my head is buzzed, my shoulders are broad and my arms have muscles on them. Like I said, I do OK and I do it with the wind in my follicle sprouts.

As a gay man, I find myself consumed by the concept of masculinity. Yet, I have only a vague idea of what defines it: strength, evenness, self-assuredness, vigor, substantial eyebrows, beer, sports, funk. I have an even more vague idea of whether or not I possess enough of it and what to do with it. To own one’s maleness is a matter of pride, but when that ownership consciously turns outward, it becomes about other people and takes on a theatrical affect. Performance is at odds with masculinity’s ease. I realize that cocky bravado runs rampant in straight guys, but even there it is inherently fraudulent.

This issue becomes even more confusing for gay men. As a gay, you understand that while you’ll always find peers who allow you to be exactly as queeny as you are, there is still a social hierarchy that puts a premium on masculinity. Tops are valued. “Straight-acting” is a badge of pride, despite the term’s corrosiveness. I’m not immune to this – my eye wanders toward men who appear to be more on the masculine side, and I don’t know why that is. Shavings of internalized homophobia that litter my brain could be the culprit. To counter, I’ve been considering adopting an affirmative-action policy toward femme guys. I tell myself, “Get into it,” like the drag queens/all of us say.

I’m learning to not be flattered when someone tells me I could pass for straight, and that’s the most confusing thing of all: for as many people who say they think I could, there are plenty of others who think that I’m flaming. I don’t even know what I’m like, but I know making sure all of my sentences don’t rise as they end is a full-time job – and it is exhausting.

I know the cap trick, but it doesn’t mean that everyone is using it to manipulate. For some guys, a cap is just a cap. Some guys just like caps and they just happen to be gay. To what extent they use it to their scoring advantage is anyone’s guess, but I’m willing to envision a scenario based in innocence. You could make a similar argument re: cheating about my buzzed head (though, it’s obviously less temporary than a cap), which has its origins in my own taste for men with buzzed heads. I realized how into it I was when I realized I was into dudes and I emulated. Like I said, I tend to go for masculine dudes. There are no coincidences here.

Perhaps these signifiers that we still enlist to assert our masculinity are part of a weakened strain that was visible in the homosexuals of the ‘70s when masculinity came up from behind and really grabbed gayness by the balls. Then, it wasn’t fitted caps but as Alice Echols describes in her indispensable political history of disco, Hot Stuff, “501 button-fly Levis, flannel shirts, aviator jackets, work boots and belt-dangling key chains.” The “clones” of the “gay macho” movement were often mocked by the older, drag-valuing generation that felt discarded. Echols, whose history of gay macho is as succinct as you’ll find, notes the underlying politics and perceived absurdity:

“As anthropologist Ester Newton discovered, gay men [in the Cherry Grove section of Fire Island – the older ones] simply took it for granted that a homosexual man ‘is effeminate, whether he likes to or not, because of his ‘female’ position relative to ‘normal men’.'”

Even more on point, and brought up later by Echols, is the theory that Andrew Holleran references a few times during his 1978 novel Dancer from the Dance. It suggests that the social ideal for a gay man on the scene is to be admired, and that being the recipient of the male gaze is necessarily a feminine position. “My grandmother on her eighty-ninth birthday only wished she could walk down the street and be looked at!” says the book’s older, draggier Sutherland character. And then later, another character named Paul writes in a letter, “What is so incredible about homosexuals is that, if they live as homosexuals (that is to say, as women: beings whose life consists chiefly of Being Attractive to others), they die much sooner than heterosexual men.”

That’s a bleak view of gays and women (whose own potential sexual aggression is being underrated), but mostly it attempts to destroy a myth that a gay man can do anything to be more straight. Gayness has its own essence, its own cocktail of influences and manifestations.

The greatest irony of all happens when a man’s manhood takes over, he goes bald and then he uses this object of masculinity to cover it up. I hooked up with this guy who answered his door in a baseball cap and nothing else and then wore it the entire time we fooled around. (This was something of a turn-on, really. I will admit that I am a big fan of the porn-approved turning of the hat brim from the front to the back to suck cock because I dig ceremony.) Anyway, that was weird, but not weirder than when we took a shower after and he kept the cap on. Under the water and everything. He got his hat wet as though it were his head, except it wasn’t because it was a fucking cloth hat. I was praying he’d go for the shampoo bottle, but alas. This all mostly worked for him, though. He was a hairdresser and I guess he knew exactly what he needed to keep his head looking good at all times.

The crucial truth is that because gay men are still expected by society to be more feminine, we can either surprise people and get that aforementioned superficial, kind of unsavory thrill or we can just do what the fuck ever. We’ve all got masculine and feminine aspects to our personalities (even straight people!) and to express those things in their entirety can be great fun and liberating. I know a really beautiful kid who’s thin and post-twinky, I guess you’d say, who’s rarely without a fitted cap. He’s stylish and isn’t fooling anyone, as far as I can tell. If anything, he’s giving his softer features and evident fashion investment a complement.

Last week, I started talking to a guy at a bar that I noticed from afar because of his dudeish backwards cap. I got to appreciate his wide smile and beautiful, thick eyebrows up close. And then as soon as he addressed me, he revealed himself to be less than butch. He was Spanish and enthused virtually everything that came out of his mouth in an airy way that sounded like joking but obviously wasn’t – from his love of Jodorowsky and Almodóvar to his compliments directed at my body to his belief in real-life magical realism (“I think the world is magical!” he said, his entire existence twinkling).

He was really cute, and he said vulnerable things about not having a boyfriend, never having a boyfriend and his inability to figure out why. Nothing on his person predicted how soulful he’d turn out to be.

He didn’t need a hat, either.