VI. DNA, or, The Legend of My Grandfather :: Rafael Campo

A molecule that craves its own embrace
Encodes a message from my ancestors:
Survival means eternal life. Restored
As though he were alive again, my face
Seems more my grandfather’s than mine. I search
The contours of my jaws for what he’d say —
In tissue overlying bone, nucle-
Ic acids fast unzipped to base-pairs (matched
In stews primordial) give rise to cells,
Retell their ageless story. Cartilage
Is synthesized; I have no heritage
Except the mitochondria which mill
About my cytoplasm, full of sparks —
I am consumed by my autolysins
Yet constantly rebuilt by selfish genes,
Become my grandfather who killed a shark.

— Rafael Campo

Bullet in the Brain :: Tobias Wolff

Anders couldn’t get to the bank until just before it closed, so of course the line was endless and he got stuck behind two women whose loud, stupid conversation put him in a murderous temper. He was never in the best of tempers anyway, Anders — a book critic known for the weary, elegant savagery with which he dispatched almost everything he reviewed.

With the line still doubled around the rope, one of the bank tellers stuck a “POSITION CLOSED” sign in her window and walked to the back of the bank, where she leaned against a desk and began to pass the time with a man shuffling papers. The women in front of Anders broke off their conversation and watched the teller with hatred. “Oh, that’s nice,” one of them said. She turned to Anders and added, confident of his accord, “One of those little human touches that keep us coming back for more.”

Anders had conceived his own towering hatred of the teller, but he immediately turned it on the Continue reading

Fiction Writers on Writing Fiction

There are a few lucky souls for whom the whole process of writing is easy, for whom the smell of fresh paper is better than air, whose minds chuckle over their own agility, who forget to eat, and who consider the world at large an intrusion on their good time at the keyboard. But you and I are not among them. We are in love with words except when we have to face them. We are caught in a guilty paradox in which we grumble over lack of time, and when we have the time, we sharpen pencils, check emails, or clip the hedges.

Of course, there’s also joy. We write for the satisfaction of having wrestled a sentence to the page, for the flush of discovering an image, for the excitement of seeing a character come alive…

[Excerpt from Jane Burroway’s Writing Fiction: A Guide to Narrative Craft]

I believe the secret of writing is that fiction never exceeds the reach of the writer’s courage. The best fiction comes from the place where the terror hides, the edge of our worst stuff. I believe, absolutely, that if you do not break out in that sweat of fear when you write, then you have not gone far enough. And I know you can fake that courage when you don’t think of yourself as courageous — because I have done it. And that is not a bad thing, to fake it until you can make it. I know that until I started pushing on my own fears, telling the stories that were hardest for Continue reading

The Thinker As Poet :: Martin Heidegger

The Thinker As Poet

(Aus der Erfahrung des Denkens)

Martin Heidegger (1947)

* * * * *

Way and weighing

Stile and saying

On a single walk are found.

Go bear without halt

Question and default

On your single pathway bound.

* * *

When the early morning light quietly grows above the mountains….

Continue reading

There Are No Words To Express :: from Goethe’s Werther

Werther, Selected Letters, 1771

May 22nd

The illusion that life is but a dream has occurred to quite a few people, and I feel the same way about it. When I see the limitations imposed on man’s powers of action and inquiry and observe how all his efficiency is aimed at nothing but the satisfaction of his needs, which in turn has but one purpose — to prolong his Continue reading