Pi (1998): Shooting Script, pp. 1-25

[1]


Maximillian Cohen

Devi

Ephraim

Farrouhk

Jenna

Jenna’s Mom

Jenny Robeson

Kabbalist

Lenny Meyer

Marcy Dawson

Moustacheless Man

Mrs. Ovadia

Photographer

Rabbi Cohen

Sol Robeson

[2]

FROM WHITE CRASH CUT TO:

EXTREME CLOSE-UP of Maximilian Cohen’s eyes popping open.

INT. MAX’S APARTMENT, CHINATOWN FLAT, NEW YORK CITY — NIGHT

Max jolts his head from his desk and tries to orient himself in the darkness. He has intelligent eyes set in an exhausted, good-looking face.

Then, he notices the blood dripping from his nose. Max wipes it.

Max’s voice-over begins:

MAX (voice-over) 9.13. Personal note: When I was a little kid my mother told me not to stare into the sun. So once, when I was six, I did.

CUT TO:


A pull-string light flips on. Max examines his bloody nose in the mirror.

MAX (voice-over) The doctors didn’t know if my eyes would ever heal. I was terrified. Alone in that darkness. Slowly daylight crept in through the bandages and I could see.

[3]

Max drinks from the sink and splashes a generous amount of water on to his head and face, cleaning his nose.

He wipes his nose and examines the last remnants of blood on his fingertip. Then, he dips his finger under the tap. But something else had changed inside me. That day I had my first headache.

TIGHT SHOT on Max’s hand as three unmarked, circular pills hit his palm. Then, he slams the pills into the back of his mouth. Max replaces the cap on a plastic bottle of unmarked prescription drugs.

CUT TO:

Max’s room is constantly dark because the windows are blacked out. He flips on his desk lamp.

[4]A tiny ant crawls across his desk. He looks at it for a moment before getting angry and squashing it.

Sitting on the desk are three computer monitors, which Max flips on.

Then, he pops on more lights and more switches. We pull back, revealing that Max’s apartment looks more like the inside of a computer than a human’s home.

The room is knee-high in computer parts of all shapes and sizes. The walls are covered by circuit boards. Cables hang from the ceiling like vines in a Brazilian rain forest. They all seem to be wired together to form a monstrous homemade computer.

This is Euclid, Max’s creation. The computer is alive with sounds and lights.

Max works on Euclid with his solder and drill. He cares for the machine as if it were his dream car.

MAX (voice-over) Heat’s been getting to Euclid. Feel it most in the afternoon when I run the set. Have to keep the fans on all night from now on. Otherwise, everything is running top notch. The stack of 286s is now faster than Columbia’s computer science department. I spent a couple hundred dollars. Columbia’s cost? Half a million?

(small snicker) Ha . . .

Max checks the peep-hole on his front door. No one is there. He unbolts the five locks and slides into the hall.

CUT TO:

[5]

As he secures his apartment, a young girl named Jenna runs up to him. Her mom looks apologetic down the hall.

Jenna’s eyes light up and she pulls out her Fisher Price calculator.

JENNA Max, Max! Can we do one?

MOM (off-screen, over and over again) Jenna! Jenna!

MAX Oh, no.

JENNA What’s three hundred and twenty-two times four hundred and ninety-one. Jenna types it into her calculator. Max finishes locking his door.

[6]

MAX (instantly) One hundred fifty-eight thousand, a hundred two. Right?

JENNA (eyes light up) Right.

Max heads down the staircase.

MOM Jenna . . . Jenna screams after him.

JENNA OK, seventy-three divided by twenty-two.

MAX (instantly again) Three point three one eight one eight one eight . . .

CUT TO:

Max watches people bustle through the busy intersections of Chinatown. The streets are clogged with people.

MAX (voice-over) 12.45. Restate my assumptions. One: Mathematics is the language of nature. Two: Everything around us can be represented and understood through numbers. Three: If you graph the numbers of any system, patterns emerge.

CUT TO:

[7]

Max scavenges electronic parts as he carefully navigates an endless dump for old and rotting computers.

He unscrews a random IBM board from a keyboard and slides it into his pocket.

CUT TO:

MOVE IN on Max looking up at something as he reclines on a public bench.

MAX (voice-over) Therefore: There are patterns everywhere in nature. Evidence: The cycling of disease epidemics. The wax and wane of caribou populations. Sunspot cycles. The rise and fall of the Nile.

MOVE IN on a tree branch — shaking gently in the wind.

SLOW DISSOLVE TO:

EXTREME CLOSE-UP of stock ticker

Bright stock quotes drift across the screen.So what about the stock market? A universe of numbers that represents the global economy. Millions of human hands at work . . . billions of minds . . . a vast network screaming with life. An organism. A natural organism.

CUT OUT TO:

Max watches the right edge of the screen where the numbers appear. He wants to see what’s before that edge . . .

[8]

MAX (voice-over) My hypothesis: Within the stock market, there is a pattern as well. Right in front of me, hiding behind the numbers. Always has been. 12.50: Press return.

Max slaps the return button on his computer.

The phone starts ringing. Max eyes it suspiciously.

Just then, Euclid starts printing results on an old dot matrix printer.

Max suspiciously answers the phone. Hello?

WOMAN’S VOICE (on phone) Maximilian Cohen, please.

MAX Yeah?

WOMAN’S VOICE (on phone) Hi, it’s Marcy Dawson. You might remember me, I’m a partner with the predictive strategy firm Lancet-Percy.

MAX I told you already . . . The printer finishes printing.

MARCY DAWSON (on phone) I’m sorry I haven’t kept in touch but I was hoping that we could have lunch tomorrow, say one o’clock?

But before Marcy finishes, Max hangs up. He rips off the print-out and heads to the front door.

[9]He checks the peep-hole. His landlady, Mrs Ovadia, is sweeping the hallway stairs humming a turn of the century (the last one, not this one) tune.

Max waits a moment. He tousles his hair. Then, he checks again. She’s gone. He opens his locks and releases several bolts.

CUT TO:

Max locks his front door. Meanwhile, his next-door neighbor, Devi Minstry, a sexy young Indian woman, is just getting home. Max looks away and tries to get his door locked.

She’s weighed down by a bunch of bags filled with food.

DEVI Max, good!

MAX Hi, Devi.

DEVI I grabbed you some samosas.

MAX Great. Devi heads over to Max with her bags of food. She looks up at Max.

DEVI Your hair. Devi hands the bags to Max. Then, she goes to pat down his hair. Max retreats.

MAX What are you doing?

[10]

DEVI Your hair, you can’t go out like that.

MAX It’s fine.

DEVI Don’t worry.

MAX It’s fine. Devi pats down his hair. Max is humiliated.

DEVI You need a mom. Max hands back the bags and heads quickly for the stairs.

MAX I have to go.

DEVI Max, wait! Your samosas! An embarrassed Max takes the bag.

MAX Thanks. CUT TO:

At the counter, Max stirs cream into his coffee. Then, he takes three pills from the plastic bottle and drops them in his coffee.

Max flips past a full-page ad in the paper that reads: `LANCET-PERCY 86% ACCURACY (ONLY GOD IS PERFECT).’ Max flips the page before he or we can absorb it.

He compares stock quotes in the Wall Street Journal against his print-out.

[11]

MAX (voice-over) 16.23. Results: Euclid predicts NTC will break a hundred tomorrow . . . good bet. Other interesting anomalies. Euclid predicts PRONET settling at sixty-five and a quarter, a career high.

Max marks up the paper with lines and diagrams as he ponders his hits and misses.

Then, a puff of cigarette smoke drifts by and succeeds in bothering Max. He fans it away, when —

VOICE FROM OFF-SCREEN Am I bothering you? Max shrugs and looks over.

The Voice belongs to Lenny Meyer — a bearded man in his late twenties sucking on a cigarette.

On closer inspection, something is off. It seems that Lenny is an Orthodox Jew. His yarmulke sticks out slightly from his wide-brimmed hat and the fringes from his tsi-tsis hang out from the bottom of his untucked shirt.

LENNY MEYER I’m sorry, I’ll put it out. (which he does) The name’s Lenny Meyer.

Lenny sticks out his hand. Max responds with a small nod. And you are?

MAX Max.

LENNY MEYER Max?

[12]

MAX Max Cohen.

LENNY MEYER Cohen!? (judging) Jewish?

Max shrugs and turns back to his work. It’s OK.

(joking) I’m a Jew, too.

(serious) Do you practice?

MAX No, I’m not interested in religion.

LENNY MEYER Have you ever heard of Kabbalah?

[13]

MAX No.

LENNY MEYER Jewish mysticism.

MAX Look, I’m kinda busy right here.

LENNY MEYER I understand . . . it’s just that right now is a very exciting moment in our history. Right now is a critical moment in time.

MAX (sarcastic) Really?

LENNY MEYER Yeah, it’s very exciting. Have you ever put on tefillin? Max has no idea what Lenny’s talking about. Lenny pulls a leather box with black leather straps from his pocket. You know tefillin. Yeah, I know it looks strange. It’s an amazing tradition. It has a tremendous amount of power. It’s a mitzvah for all Jewish men to do. Mitzvahs, good deeds.

And then, Max notices that his thumb is twitching. He grabs it self-consciously. They purify us and bring us closer to God. You want to try it?

TIGHT SHOT on Max’s hand as three unmarked, circular pills hit his palm. Then, he slams the pills into the back of his mouth. Max replaces the cap on a plastic bottle of unmarked prescription drugs.

[14]

MAX Shit . . .

LENNY MEYER You all right? You all right, Max? CUT TO:

Max splashes water on his face.

He pulls a metal vaccination gun out of the medicine cabinet. Then, he loads it with a small bottle of medicine. He rolls up his sleeve, dabs alcohol on his arm, and fires the gun into his arm.

MAX (voice-over) 17.55. Personal note: Second attack in under twenty-four hours. Administered eighty milligrams promazine HCI and six milligrams sumatripan orally as well as one milligram dihydroergotamine mesylate by subcutaneous injection.

Max slaps himself in the face a few times.

He watches his thumb twitch. And then, pain shoots through him. He grabs the right side of his head, massages it, and pushes it in with his fingers.

In the mirror, he examines the right side of his scalp. He sees nothing. Ahh . . .

Max walks back into the —

MAIN ROOM

— and sits down in a chair. The lamp is blinding so he snaps it off. Only the bathroom light illuminates the room. He takes a few breaths.

[15]Leave me alone.

Max gags and rubs his head.

Then, the pain seems to disappear. Max looks at his hand which was rubbing his head.

Then, he looks at the front door. The door seems to move.

Something begins knocking on Max’s door. The knocking gets louder and louder. Then, the locks begin to unlock.

Now, something starts pounding on the door. The door knob quivers. The locks unbolt. The chains are the only things keeping out the intruder. The door shakes and the chains are strained.

Max is paralyzed with terror. No! No!

And then the door smashes open. Blinding light fills the room and we crash into the

BLINDING WHITE VOID.

A moment of silence, then we

CUT TO:

A phone rings incessantly. Max’s eyes pop open. He’s scrunched up in a corner of the room, squashed beneath the sink.

His nose is bleeding.

Max crawls into the

MAIN ROOM

and picks up the phone. He pinches his nose and tilts his head back.

[16]

MARCY DAWSON (on phone) Mr Cohen. Marcy Dawson here again, from Lancet-Percy. I was just looking over my schedule and I realized I’ll be in Chinatown tomorrow around three.

Max heads to the

FRONT DOOR

and checks the locks. He is barely listening to Marcy.

The locks seem secure.

(on phone) I would love to stop by and see you. I am so anxious to meet you. It will be worth it — for both of us. How’s three sound?

MAX How’d you get my address?

[17]

MARCY DAWSON (on phone) Oh, don’t worry, I got your address from Columbia. So three it is. Looking forward to it.

Max tries to stop her but, before he can, Marcy hangs up. A bewildered Max slowly hangs up.

Max checks the peep-hole — all clear.

Then, he opens his

CLOSET

which is filled with random computer parts and boxes.

He pulls a thick neuroscience book from a shelf in the back of the closet. He almost knocks over an old dusty brass microscope on the shelf.

Max flips through the book. It contains old plates illustrating the brain. Max examines some of the diagrams.

CUT TO:

Max rings the bell on an apartment door.

A few moments pass, and then, Sol Robeson opens the door.

Sol is a wise-looking man in his early seventies. He walks with difficulty, leaning, out of breath, on a wooden cane.

His arms are covered with faded Russian prison tattoos and he speaks with a thick Eastern European accent. He’s happy to see Max.

SOL Max! Max is happy to see Sol, but he’s a bit bashful and intimidated.

[18]CUT TO:

Tight on the Japanese game of Go being played. Sol is white and Max is black. Sol’s moves are secure and controlled while Max is hesitant.

Sol’s study is packed with worn books and soft sunlight. A bowl of goldfish sits prominently next to the Go board.

Dave Brubeck tunes groove out of antique speakers.

SOL Stop thinking, Max, just feel. Use your intuition. (beat) So what did you think of Hamlet?

MAX I didn’t get to it.

SOL It’s been a month. (knowingly) You haven’t taken a single break.

MAX I’m so close. Sol changes the subject. He feeds his goldfish and points to one of them.

SOL Have you met the new fish my niece bought me? I named her Icarus. After you. My renegade pupil. You fly too high you’ll get burned. Max looks up at Sol. I look at you, I see myself thirty years ago. My greatest pupil. Published at sixteen, PhD at twenty.

[19]But life isn’t just mathematics, Max. I spent forty years looking for patterns in Pi, I found nothing.

MAX You found things . . .

SOL I found things, but not a pattern. CUT TO:

INT. MOVING TRAIN — DAY

Max sits in the corner of a rickety New York City subway car. The train is almost completely deserted.

Max looks down at his hand. He opens his palm and reveals a black Go chip.

MAX (voice-over) Not a pattern. II.22. Personal note: Sol died a little when he stopped research on Pi. It wasn’t just the stroke, he stopped caring. How could he stop when he was so close to seeing Pi for what it really is?

Max notices a Skinny Man in a business suit staring at him. The man catches Max’s eye and looks away, but then, he quickly looks back, making Max turn away.

Max looks down at his Wall Street Journal and draws a circle with its diameter. Then, he writes `A = πr2‘ and `C = 2πr’. Next, he writes, `π = 3.14159. . .’ How could you stop believing that there is a pattern, an ordered shape behind those numbers when you were so close? We see the simplicity of the circle. We see the maddening complexity of the endless string of numbers. 3.14 off into infinity.

Suddenly, Max hears someone singing. Max looks up. It is the

[20]Skinny Man and he’s singing with passion. It’s all very strange to Max who nervously looks away.

Max continues with his work.

And then, the singing stops — mid-verse. Max looks up and the man is gone. Vanished. Max looks around — no one in sight.

CUT TO:

Max heads up the stairs to his apartment. Just then, a toy Slinky appears from nowhere marching down the stairs.

Max stops and waits until the Slinky hits his foot. He picks it up and looks at it.

He looks around, wondering what’s going on. Then, Jenna leans out over a railing and starts laughing at Max.

CUT TO:

Max sits at the counter frantically looking at the Wall Street Journal. He plops three pills into his coffee.

He draws circles and other shapes across the page.

Max is interrupted by a puff of smoke. At the same time, someone touches his shoulder and says:

LENNY MEYER Hey! Max! Lenny Meyer. (motioning to the cigarette) Sorry, I’ll put it out.

(which he does) So, what do you do?

MAX Um, I work with computers . . . math.

[21]

LENNY MEYER Math? What kind of math?

MAX Number theory. Research mostly.

LENNY MEYER No way, I work with numbers myself. I mean, not traditional . . . (points to his yarmulke) I work with the Torah.

(awed by the coincidence) Amazing.

MAX (passing it off as a coincidence) Yeah . . .

LENNY MEYER Yeah. You know Hebrew is all math. It’s all numbers. Did you know that?

MAX Hm. Lenny pulls out a worn, dog-eared Bible from his pocket. There are paper slips marking what seems like every other page. When he opens it up, Max sees that the pages are marked up by highlighter pens, notes and diagrams.

Lenny points to the text. Extreme close-up of Hebrew letters.

LENNY MEYER Here, look . . . the ancient Jews used Hebrew as their numerical system. Each letter is a number. Lenny pulls out a pen and grabs Max’s Journal. He writes on it as he talks: Like the Hebrew `A’, Aleph, is one. `B’, Bet, is two. You understand? But look at this. The numbers are

[22]interrelated, like take the Hebrew word for father, Ab. Aleph, Bet. One and two equals three. All right? Hebrew word for mother, Ame. Aleph, Mem. One and forty equals forty-one. Sum of three and forty-one: forty-four. Now, the Hebrew word for child is Yellen. That’s ten, thirty, and four . . . forty-four.

The waitress refills Max’s coffee. The Torah is just a long string of numbers. Some say that it’s a code sent to us from God.

MAX (mildly impressed) That’s kind of interesting.

LENNY MEYER (proud) Yeah, that’s just kid’s stuff. Check this out, OK? The word for the Garden of Eden, Kadem. Numerical translation: one forty-four. Now the value of the tree of knowledge . . . in the garden, Aat Ha Haim, two thirty-three. One forty-four, two thirty-three. Now you can take those numbers and . . .

MAX They’re Fibonacci numbers.

LENNY MEYER Huh?

MAX You know, like, the Fibonacci sequence.

LENNY MEYER Fibonacci . . .?

MAX Fibonacci is an Italian mathematician in the thirteenth century.

[23]

Lenny lights up a cigarette and takes a drag. If you divide a hundred and forty-four into two hundred and thirty-three the result approaches theta.

LENNY MEYER Theta?

MAX Theta. The Greek symbol for the golden ratio. The golden spiral. Lenny exhales the smoke. Max draws a spiral.

LENNY MEYER Wow, I never saw that before. That’s the series you find in nature. Like the face of a sunflower.

MAX Wherever there’s spirals. SLOW MOTION: Max looks down at his coffee cup. He pours cream into his coffee. It shoots up and mixes with the black coffee forming spirals in the mug.

LENNY MEYER You see, there’s math everywhere. Lenny’s smoke drifts by Max’s eyes.

SLOW MOTION: Max’s POV of smoke spirals spinning in front of him.

NORMAL SPEED: Suddenly, Max stands up and leaves. Whoa, hey, Max!

CUT TO:

INT. MAX’S APARTMENT — DAY

Max draws spirals all over his Wall Street Journal. Then he takes a thick black marker and draws a giant spiral across the entire page.

[24]Max is ecstatic as he pounds code into the computer, takes moments to wake up, drops pills and drinks a ginseng soda.

MAX (voice-over) 13.26. Restate my assumptions. One: Mathematics is the language of nature. Two: Everything around us can be represented and understood through numbers. Three: If you graph the numbers of any system, patterns emerge. Therefore: There are patterns everywhere in nature.

Max works feverishly: sketching, pounding out code, and downing ginseng soda.So what about the stock market? A universe of numbers that represents the global economy. Millions of human hands at work . . . billions of minds . . . a vast network screaming with life. An organism. A natural organism. My hypothesis: Within the stock market, there is a pattern. Right in front of me, hiding behind the numbers. Always has been. 10.18: Press return.

Max is about to slap RETURN but he stops himself — he’s nervous.

Next door, Devi and her boyfriend are making love. He looks at the wall with disdain. Then, he looks back at the screen, shrugs and confidently slaps RETURN on his keyboard.

Stock prices float across the screen. Max can’t believe his eyes — the quotes are absurd.

Suddenly, a number flashes on to the screen. It blinks on and off a couple of times.

MAX What the . . .

[25]

And then, Euclid crashes. The electricity in Max’s room flips off. The numbers on Max’s screen fade to black. In darkness: Shit!

CUT TO:

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