Pi (1998): Shooting Script, pp. 26-46

Max removes a fuse. He replaces it with a penny.

(voice-over)

10.28. Results: Bullshit. Euclid predicts AAR at six and a half. AAR hasn’t been beneath forty in twenty years. Explanations for anomaly: Human error.

CUT TO: [Section details]

Max tries to reboot Euclid, but nothing happens. He tries a second time, he tries repeatedly, but nothing happens.

Max puts on a pair of latex gloves. He dons a surgical mask. He climbs up to a loft above his monitors. A glass case, fed cool air by a vent tube, encases some computer parts. He carefully removes the front glass cover.

When he gets it off he’s stunned. Not only have the chips melted down, but a strange gooey, gel-like substance covers the board.

MAX Shit. Then, Max spots a single ant crawling over the chips. Max crushes it between his fingers.

Max grabs his face, frustrated.

Suddenly, he angrily throws Euclid’s mainframe on to the ground. It lands with a smash!

Then, he jumps on the smashed mainframe. He collapses on to his bed and covers his face. A moment later:

[26](voice-over) 11.11. Results: Failed treatments to date . . .

DISSOLVE TO:

[Section details]

TIGHT on a tree branch shaking manically in the wind.

Max sits on a park bench watching the branch shake. It terrifies him.

He pulls out the print-out of his picks and examines them.

MAX (voice-over) . . . Beta-blockers, calcium channel blockers, adrenalin injections, high-dose ibuprofen, steroids, trager metasitics, violent exercise, cafergot suppositories, caffeine, acupuncture, marijuana, percodan, Midrin, Tenormin, Sansert, homeopathics. No results. No results.

He crumples up his picks and tosses them into a public trash can.

CUT TO:

[Section details]

Sol and Max play Go. Sol is peaceful while Max is distant.

Max plays a piece absently. Sol counters with a deafening atari. Max whispers:

MAX Euclid crashed. I lost all my data, my hardware.

SOL Your mainframe?

[27]

MAX Burnt . . .

SOL What happened?

MAX First I got these crazy picks. Then, it spit out this long string of numbers. I never saw anything like it and then it fries. The whole machine just crashed.

SOL You have a print-out?

MAX Of what?

SOL Of the picks, the number?

MAX I threw it out.

SOL What was the number it spit out?

MAX I don’t know, just a long string of digits.

SOL How many?

MAX I don’t know.

SOL (intense) What is it, a hundred, a thousand, two hundred and sixteen!? How many?

MAX Probably around two hundred.

[28]

(wondering) Why?

SOL (beat) . . . I dealt with some bugs back in my Pi days. I was wondering if it was similar to one I ran into.

Sol begins to feed his fish. He points to one. Have you met Archimedes? The one with the black spot. You see?

Max reluctantly looks down at the fish.You remember Archimedes of Syracuse? The King asks Archimedes to determine if a present he’s received is actually solid gold. Unsolved problem at the time. It tortures the great Greek mathematician for weeks. Insomnia haunts him and he twists and turns on his bed for nights on end. Finally, his equally exhausted wife, she’s forced to share a bed with this genius, convinces him to take a bath, to relax. While he’s entering the tub . . .

Sol places his pinky finger into the fish tank.. . . Archimedes notices the bathwater rise. Displacement. A way to determine volume. And thus, a way to determine density, weight over volume. And, thus, Archimedes solves the problem. He screams `Eureka!’ and is so overwhelmed he runs dripping naked through the streets to the King’s palace to report his discovery. Now, what’s the moral of the story?

MAX That a breakthrough will come . . .

[29]

SOL Wrong. The point of the story is the wife. You listen to your wife, she will give you perspective. Meaning, you need a break, you have to take a bath, or you will get nowhere. There will be no order, only chaos. Go home, Max, and you take a bath. CUT TO:

[Section details]

Max waits for his train on an empty platform.

Just then, he hears a dripping sound. Max looks up and notices something across the tracks on the other platform. He can’t quite make it out because his vision is blocked by columns.

He gets up and spots a Young Hasidic Man staring at him.

Blood drips from his hand. Max doesn’t know what to make of it.

A train swishes by

CUT TO: [Section details]

He checks out a few of the other passengers. Then, he notices a Skinny Man reading a newspaper across from him.

The headline reads: `MARKET TAKES A NOSE-DIVE’. Max jumps up and approaches the man.

MAX Excuse me, can I take a look at the paper? Max grabs the paper. He scans the article. Then, he quickly turns to the listings. His finger barrels down a column. It stops at ABR.

(out of breath) My God. My God. Six and a half.

[30]

SKINNY MAN Hey! Hey, the paper please! Max hands the paper back and looks at the man for the first time. It is the Skinny Man he saw earlier.

Max gets suspicious and moves into the next car.

At Grand Street:

Max exits. He notices that the Skinny Man gets off — one car down — as well.

He hustles towards the exit. As he’s about to turn a corner he looks back. The man seems to be following him.

He dodges around a corner and heads up a staircase.

CUT TO:

[Section details]

He seems to have lost him, when he notices a businesswoman with a pretty face heading right towards him. This is Marcy Dawson.

MARCY DAWSON Mr Cohen! Perfect timing. Marcy sticks out her hand. Max, not knowing what else to do, shakes it. I was just waiting for you but I thought you stood me up, so I was going to head home.

MAX Who are you?

MARCY DAWSON Oh . . . Marcy Dawson. From Lancet-Percy. We were supposed to meet at three.

[31]

MAX It’s really not a good time . . . Marcy hasn’t let go of Max’s hand. She guides him towards a large black stretch limo that’s just pulled up.

MARCY DAWSON I can’t tell you what a pleasure it is to finally meet you. I’ve studied your papers for years. Max looks behind him. Coming up the stairs is the Skinny Man.

Max gets nervous.

MAX Excuse me but I . . .

MARCY DAWSON Listen, why don’t we take a spin in the limo?

MAX I can’t, I’m sorry.

MARCY DAWSON Mr Cohen, please . . . Max attempts to pull away but Marcy is firm on leading him to the car. Meanwhile, the Skinny Man is heading right at them.

Max yanks his arm free and runs away. He whips around a corner.

CUT TO:

[Section details]

Max barrels into the grocery store and buys a Journal. He heads to the back of the store and lays the paper across the juice section. Max checks the listing.

[32]

MAX Yes! Yes! Then, he notices one of the bodega owners staring at him.

CUT TO:

[Section details]

Max sifts through the trash can where he threw out his picks from yesterday. Frustrated, he dumps the trash on to the sidewalk and starts looking through it.

Mrs Ovadia watches him. Max sees her, and is embarrassed for a moment.

MAX I just . . . threw out something. I didn’t realize I needed it.

MRS OVADIA Humph.

MAX Just a print-out, I, uh, lost my data . . . Max looks back at the trash as Mrs Ovadia runs off. Max kicks the trash can and heads home.

CUT TO:

[Section details]

Max watches Marcy get out of the limo and call to Mrs Ovadia.

Max backs away and smacks into someone. It’s Lenny Meyer — the young Jewish man.

Max jumps back in fear.

[33]

LENNY MEYER Whoa, Wha-Hey! How you doing? Lenny Meyer. Max tries to pass him quickly. Where you going?

MAX Just up there.

LENNY MEYER You gotta minute? You want to try tefillin?

MAX No, not right now. Max turns around and notices Marcy talking to Mrs Ovadia. Mrs Ovadia points up the street towards him.

LENNY MEYER I gotta car, right over here. It’ll take one second, we can cruise over to the shul . . .

MAX You gotta car?

LENNY MEYER Yeah, yeah, right over there. See. That’s my friend, Ephraim. We swing around with Max and see a station wagon. Ephraim sits in the passenger seat. He’s a big-boned, bearded, Orthodox Jew.

MAX All right, let’s go.

LENNY MEYER Great . . . They head for the station wagon.

CUT TO:

[34][Section details]

The synagogue is a claustrophobic, fluorescent-lit room in general disarray. Two rooms of imitation-wooden pews face a makeshift altar and ark. Young Hasidic men study texts. Some work alone, reading and dovening. Others are in small groups sharing in heated discussions.

Lenny wraps the tefillin around Max’s arm. Max just wants to get out of there. Ephraim prays in the background.

LENNY MEYER When you told me your name was Max Cohen, I didn’t realize you were the Max Cohen. Your work’s revolutionary, you know that? It’s inspired the work that we do.

MAX It has?

LENNY MEYER Yes, very much. The only difference is, we’re not looking at the stock market. Now go ahead, wrap that around your hand. We’re searching for a pattern in the Torah. Lenny finishes wrapping Max’s arm. He reaches for another box and strap.

MAX What kind of pattern?

LENNY MEYER We’re not sure. All we know is that it’s two hundred and sixteen digits long. Max, stunned, looks at Lenny. All right, stand up.

[35]

MAX (coolly) Two hundred and sixteen?

LENNY MEYER That’s right. Stand up, Max. Come on, stand up. It’s all right. This one just goes on your head.

MAX Two hundred and sixteen? Lenny places the other tefillin over Max’s head. Max collects himself.

LENNY MEYER Shhhhhh. Now we’re going to say a little prayer together, repeat after me. Shema Yisrael. Bewildered, Max does.

CUT TO:

[Section details]

Max firmly rings Sol’s bell.

CUT TO: [Section details]

Max sits at the kitchen table while Sol heats up a pot of tea. Max is shaking.

SOL Now, what’s up, Max?

MAX What is this two hundred and sixteen number, Sol?

SOL Excuse me?

[36]

MAX You asked me if I had seen a two hundred and sixteen-digit number, right?

SOL Oh, yeah. You mean the bug. I ran into it working on Pi.

MAX What do you mean ran into it?

SOL Max, what is this all about?

MAX There are these religious Jews I’ve been talking to . . .

SOL Religious Jews?

MAX Yeah, you know, Hasids. The guys with the beards.

SOL I know what they are.

MAX I met one in a coffee shop. It turns out the guy is a number theorist. The Torah is his data set. He tells me that they’re looking for a two hundred and sixteen-digit number in the Torah.

SOL Really? What’s it mean to them?

MAX They say they don’t know, but that’s crazy. I mean, what are the odds . . .

SOL Ah, c’mon! It’s just a coincidence.

[37]

MAX There’s something else, though.

SOL What?

MAX You remember those weird stock picks I got?

SOL Yesterday’s stock picks?

MAX Right. Well, it turns out that they were correct. I hit two picks on the nose. Smack on the nose, Sol.

SOL (surprised) Hmmm.

MAX Something’s going on, and it has to do with that number. There’s an answer in that number.

SOL Max, it’s a bug.

MAX No, it’s a pattern. A pattern is in that number.

SOL Come with me. CUT TO:

[Section details]

Sol and Max sit on either side of an empty Go board.

SOL Listen to me. The Ancient Japanese considered the Go board to be a microcosm of the universe.

[38]Although when it is empty it appears to be simple and ordered, the possibilities of gameplay are endless. They say that no two Go games have ever been alike. Just like snowflakes. So, the Go board actually represents an extremely complex and chaotic universe. That is the truth of our world, Max. It can’t be easily summed up with math. There is no simple pattern.

MAX But, as a Go game progresses, the possibilities become smaller and smaller. The board does take on order. Soon, all moves are predictable.

SOL So?

MAX So, maybe, even though we’re not sophisticated enough to be aware of it, there is an underlying order . . . a pattern, beneath every Go game. Maybe that pattern is like the pattern in the market, in the Torah. The two sixteen number.

SOL This is insanity, Max.

MAX Or maybe it’s genius. I have to get that number.

SOL Hold on, you have to slow down. You’re losing it, you have to take a breath. Listen to yourself. You’re connecting a computer bug I had, with a computer bug you might have had, and some religious hogwash. If you want to find the number two sixteen in the world you’ll be able to pull it out of anywhere. Two hundred and sixteen steps from your street corner to your front door. Two hundred and sixteen

[39]seconds you spend riding on the elevator. When your mind becomes obsessed with anything it will filter everything else out and find examples of that thing everywhere. Three hundred and twenty, four hundred and fifty, twenty-two. Whatever! You’ve chosen two hundred sixteen and you’ll find it everywhere in nature. But, Max, as soon as you discard scientific rigor you are no longer a mathematician. You become a numerologist. What you need to do is take a break from your research. You need it. You deserve it. Here’s a hundred dollars, I want you to take it. If you won’t take it, borrow it. Either way, take a break. Spend it however you like as long as it falls in the category of vacation. Real world stuff, OK. No math.

Max looks at his hands. Just try it. In a week you’ll laugh about this. C’mon, Max. Think about it!

Max gives a half nod.

CUT TO:

[Section details]

Max rushes to the subway when a honking horn stops him. A limo pulls up next to him. Marcy Dawson jumps out of the car.

MARCY DAWSON Mr Cohen? Mr Cohen? Please stop for a second. Mr Cohen? Max stops and faces Marcy.

MAX Damn it already! Stop following me. I’m sick of you following me. I’m not interested in your money. I’m searching for a way to understand our world. I’m

[40]searching for perfection. I don’t deal with petty materialists like you!

MARCY DAWSON I’m sorry. I’m very sorry. I admit I’ve been a bit too aggressive. But all I ask is for five minutes of your time. Here . . . Marcy hands Max a metal stopwatch.. . . a stopwatch. Already ticking. Allow me the four and a half minutes left. Let me tell you what I want. Let me tell you what I can offer you. Afterwards, if you don’t want to talk to me, then fine, we part as friends and I promise that you will never see me again. That’s fair, isn’t it?

MAX (after a moment, he looks at the stopwatch) Go.

MARCY DAWSON Good. It’s funny, even though we have different aims and different goals we’re actually incredibly alike. We both seek the same thing — perfection. I know . . .

[41]clearly we’re seeking different types of perfection, but that is what makes us perfect candidates for a fruitful partnership. If you let me, I can be your greatest ally. Take the acacia tree . . . in East Africa. It is the most prevalent plant in all of Kenya because it has managed to secure its niche by defeating its major predator, the giraffe. To accomplish this, the tree has made a contract with a highly specialized red ant. The tree has evolved giant spores which act as housing for the ants. In return for shelter, the ants supply defense. When a giraffe starts to eat the tree’s leaves, the shaking branch acts like an alarm. The ants charge out and secrete an acid on to the giraffe’s tongue. The giraffe learns its lesson and never returns. Without each other, the tree would be picked dry and the ants would have no shade from the brutal African sun. Both would die. But with each other, they succeed, they survive, they surpass. They have different aims, different goals, but they work together. Max, we would like to establish a mutually benefiting alliance with you.

MAX (handing back the stopwatch) I’m not interested.

MARCY DAWSON Allow me to close. The Chauffeur pulls a black suitcase out of the limo and brings it over. As a sign of good faith we wish to offer you this.

MAX I told you I don’t want money.

MARCY DAWSON The suitcase isn’t filled with fifties or gold or diamonds. Just silicon. A Ming Mecca chip.

[42]

MAX (yeah right!) Ming Mecca. They’re not declassified.

Max starts to move away.

MARCY DAWSON You’re right. They’re not. But Lancet-Percy has many friends. Come here, take a look. Marcy opens the suitcase. Max starts to look, his eyes go wide and he reaches to touch it. Can we work together?

Max eyes the chip. Then, he eyes Marcy suspiciously. Max smiles:

MAX (stuttering) What do . . . do . . .

But then, Max notices that his thumb is twitching.

MARCY DAWSON Beautiful, isn’t it? You know how rare . . . Mr Cohen, are you OK?

MAX Yeah, I got to go.

MARCY DAWSON Mr Cohen. Sir, are you sick?

MAX Let me think about it . . . Max trots off.

MARCY DAWSON What? Mr Cohen!? CUT TO:

[43][Section details]

The station is strangely silent. It is also extremely run-down. The tracks are rusted and fucked up. All we hear is the sound of dripping water. The sound is warped and grows and morphs until it’s downright scary.

Max sits on a bench sucking down pills. His head begins to hurt. He touches the right side of his scalp and rubs it.

As the blood surges through his head it brings him waves of pain. He gags several times. Then, the pain lets loose and all Max wants to do is die. He smashes the side of his head with his fist.

Across the tracks on the far platform he sees someone.

For a moment Max’s pain dissipates. His view is obscured by the columns. Max gets up and sees the Young Hasidic Man — from earlier — staring at him.

The man stares at Max without any emotion. Max notices blood dripping from the man’s right hand.

Max looks at the man’s face and sees for a split second his own face staring back.

MAX Hey! Max charges up a flight of stairs. He crosses a passage over the tracks and flies down the stairs to the other side of the platform.

The man is gone. A pool of blood sits where the man was. Max touches it with his toe. It’s sticky. He notices a trail of blood leading off from the pool.

He follows it around a corner where it leads into another corner.

He notices something strange in the shadows. He carefully advances on it. Hiding in the shadows is what looks like a small piece of brain. It seems to be moving slightly.

[44]Max uses a pen in his jacket to touch it carefully.

Suddenly, Max hears a train’s honk honk behind him. Max spins around. Nothing is there but silence.

He turns back to the gray matter. He touches it again. Once again, he hears the deafening honk honk. Max spins around but nothing is there.

Frustrated, he pushes his pen deep into the brain — fiber ripping apart.

Suddenly, a train is barreling down on Max. Seconds from impact, Max screams!!!

DISSOLVE TO:

BLINDING WHITE VOID —

We hear two deep, long, sleep-filled breaths and then we

CUT TO:

[45][Section details]

Max’s eyes pop open. A Transit Cop is sticking him with a night stick.

TRANSIT COP Up, buddy. Coney Island, last stop. Max sits up. His nose is bleeding. The Transit Cop hands him a tissue. Here, for your nose.

Max wipes his nose and looks around nervously.

He sees the rides of Coney Island in the distance.

CUT TO:

[Section details]

Max sits on a boulder on a Coney Island jetty. He watches the sea.

Then, Max sees an old man dressed like King Neptune scanning the shore with a rusty metal detector. The old man picks up something. He admires it for a moment before gently setting it back on the ground. Then, Neptune continues his search.

Max wanders over to the place where the old man examined the object. It is a nautilus shell. Max picks it up and looks at it. He sees its natural spiral shape.

Max takes a breath and stares out to the horizon.

CUT TO: [Section details]

Max examines the smashed Euclid mainframe. He uncovers some of the strange filo-like substance. He carefully touches it. Then, he grabs a small pinch of it.

[46]He examines it near a light bulb. He can’t guess what it is. He sniffs it. He carefully tastes it with the very tip of his tongue. He still doesn’t have a clue.

Max opens his closet. He pulls out his dusty, brass microscope. He dusts it off. Next, he pulls out a slide kit.

Max places the instrument on the window sill. He grabs an old glass slide and puts some of the gooey stuff on it. He slides it under the microscope. He looks into the lens, but doesn’t see anything.

He gets up quickly and heads for the

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