I long to sleep, to sleep, but you must dance

He looked at her, and remembered a line of poetry, a line he had long forgotten and that was nevertheless so close to his mind and heart: “I long to sleep, to sleep, but you must dance.” He knew so well the melancholy northern mood it expressed, awkward and half-articulate and heartfelt. To sleep . . . To long to be able to live simply for one’s feelings alone, to rest idly in sweet self-sufficient emotion, uncompelled to translate it into activity, unconstrained to dance — and to have to dance nevertheless, to have to be alert and nimble and perform the difficult, difficult and perilous sword-dance of art, and never to be able to quite forget the humiliating paradox of having to dance when one’s heart is heavy with love . . .

— Thomas Mann, Tonio Kröger

I want your honest opinions on my plan

Yes, I have some feedback.

Your plan reminds me of what happens when a monkey eats fermented fruit.

He’s all ooh-ooh-ooh and then he falls out of the tree.

— Asok(?), Dilbert

Of a middling ham

O! My gilded brain
locked within its paltry frame
It displays itself
in gleaming hints of brilliance
now revealed
now obscured
but most of all
a soup of neurons
about the size
of a middling ham.

— Lord Alfred “The Bastard” Wembsley

Graven images

In a wide-ranging study (L’image interdite, 1994) the French philosopher Alain Besançon has argued that the fear and suspicion of images has influenced the development of religion and philosophy throughout recorded history, and has not disappeared merely because we are now surrounded and distracted by images on every side and at every moment of the day. Indeed, much of what disturbs people in our image-saturated culture is what disturbed the theologians of Islam: namely, that the “graven image,” which begins as a representation, soon becomes a substitute. And substitutes corrupt the feelings that they invite, in the way that idols corrupt worship, and pornography corrupts desire. For substitutes invite easy and mechanical responses. They short-circuit the costly process whereby we form real relationships, and put mechanical and addictive reflexes in their place. The idol does not represent God: it defaces Him, in something like the way pornography defaces love.

Hence we should not be surprised by the rage with which iconoclastic movements assert themselves. The central thought of the iconoclast is that the image has captured the soul of the one who worships it. The idolator has tied himself to a bauble, and in doing so has taken the name of God in vain and polluted the worship that is God’s due. Kemp does not say much about iconoclasm, though it has been a constant movement within the Christian churches, both eastern and western. Nor does he mention the fact that his contemporary “icons,” the Coke bottle included, have been the object of a similar condemnation. The growth of the advertising industry and of the marketable image has been greeted from the very beginning by protests from social commentators, fearing what Marx called “commodity fetishism”—in other words, the diversion of our energies from those free activities that are “ends in themselves” towards the world of addictive desires. Marx took the idea of fetishism from Feuerbach, who believed that all religion involves this state of mind, in which we animate the world with our own emotions, so placing our life “outside” of ourselves, and becoming enslaved to the puppets of our own imagination. In a similar way, Karl Marx believed, the world of capitalist commodities invites us to “animate” it, so that we attribute our desires to the fictitious sphere of commodities, which gain power over us in proportion as we lose real control of ourselves.

— Roger Scruton, prospectmagazine

I want to tell the story again

The free man never thinks of escape.

In the beginning there was nothing. Not even space and time. You could have thrown the universe at me and I would have caught it in one hand. There was no universe. It was easy to bear.

This happy nothing ended fifteen aeons ago. It was a strange time, and what I know is told to me in radioactive whispers; that’s all there is left of one great shout into the silence.

.

What is it that you contain? The dead. Time. Light patterns of millenia opening in your gut. Every minute, in each of you, a few million potassium atoms succumb to radioactive decay. The energy that powers these tiny atomic events has been locked inside potassium atoms ever since a star-sized bomb exploded nothing into being. Potassium, like uranium and radium, is a long-lived radioactive nuclear waste of the supernova bang that accounts for you.

Your first parent was a star.

.

It was hot as hell in those days. It was Hell, if hell is where the life we love cannot exist. Those ceaseless burning fires and volcanic torments are lodged in us as ultimate fear. The hells we invent are the hells we have known. Hell is; was not, is not, cannot. Science calls it the world before life began — the Hadean period. But life had begun, because life is more than the ability to reproduce. In the molten lava spills and cratered rocks, life longed for life. The proto, the almost, the maybe. Not Venus. Not Mars. Earth.

Planet Earth, that wanted life so badly, she got it.

.

Moving forward a few billion years, there was a miracle. At least that’s what I call the unexpected fact that changes the story. Earth had bacterial life, but no oxygen, and oxygen was a deadly poison. Then, in a quiet revolution as explosive in its own way as a star, a new kind of bacteria, cyanobacteria started to photosynthesise — and a bi-product of photosynthesis is oxygen. Planet Earth had a new atmosphere. The rest is history.

.

Well not quite. I could list for you the wild optimism of the Cambrian era, pushing up mountains like grass grows daisies, or the Silurian dream-days of starfish and gastropods. About 400 million years ago, shaking salt water from their fins and scales, the first land animals climbed out of the warm lagoons of the vast coral reefs. The Triassic and Jurassic periods belong to the dinosaurs, efficient murder weapons, common as nightmares. Then three or four million years ago — chancy and brand new — what’s this come here — a mammoth and something like a man?
.

♦     ♦     ♦

.

The earth was amazed. Earth was always strange and new to herself. She never anticipated what she would do next. She never guessed the coming wonder. She loved the risk, the randomness, the lottery probability of a winner. We forget, but she never did, that what we take for granted is the success story. The failures have disappeared. This planet that seems so obvious and inevitable is the jackpot. Earth is the blue ball with the winning number on it.

.

Make a list. Look around you. Rock, sand, soil, fruit trees, roses, spiders, snails, frogs, fish, cattle, horses, rainfall, sunshine, you and me. This is the grand experiment called life. What could be more unexpected?

.

All the stories are here, silt-packed and fossil-stored. The book of the world opens anywhere, chronology is one method only and not the best. Clocks are not time. Even radioactive rock-clocks, even gut-spun DNA, can only tell time like a story.

When the universe exploded like a bomb, it started ticking like a bomb too. We know our sun will die, in another hundred million years or so, then the lights will go out and there will be no light to read by any more.

‘Tell me the time’ you say. And what you really say is ‘Tell me a story.’

Here’s one I haven’t been able to put down.

–Jeanette Winterson, Weight

I gall his kibe

How absolute the knave is! we must speak by the card, or equivocation will undo us. By the Lord Horatio, this three years I have taken note of it, the age is grown so picked, that the toe of the peasant comes so near the heel of our courtier, he galls his kibe. How long hast thou been a grave digger?

Hamlet (V.i.12-17)

Decline of the English Department

What are the causes for this decline? There are several, but at the root is the failure of departments of English across the country to champion, with passion, the books they teach and to make a strong case to undergraduates that the knowledge of those books and the tradition in which they exist is a human good in and of itself. What departments have done instead is dismember the curriculum, drift away from the notion that historical chronology is important, and substitute for the books themselves a scattered array of secondary considerations (identity studies, abstruse theory, sexuality, film and popular culture). In so doing, they have distanced themselves from the young people interested in good books.

— Joseph Epstein, wsj

You are what you love, not what loves you

And nevertheless he was happy. For happiness, he told himself, does not consist in being loved; that merely gratifies one’s vanity and is mingled with repugnance. Happiness consists in loving — and perhaps snatching a few little moments of illusory nearness to the beloved. And he inwardly noted down this reflection, thought out all its implications and savored it to its very depths.

— Thomas Mann, Tonio Kröger

And he longed to be enriched and more fully alive

That evening her image remained imprinted on his mind: her thick blond tresses, her rather narrowly cut laughing blue eyes, the delicate hint of freckles across the bridge of her nose. The timbre of her voice haunted him and he could not sleep; he tried softly to imitate the particular way she had pronounced that insignificant word, and a tremor ran through him as he did so. He knew from experience that this was love. And he knew only too well that love would cost him much pain, distress and humiliation; he knew also that it destroys the lover’s peace of mind, flooding his heart with music and leaving him no time to form and shape his experience, to recollect it in tranquility and forge it into a whole. Nevertheless he accepted this love with joy, abandoning himself to it utterly and nourishing it with all the strength of his spirit; for he knew that it would enrich him and make him more fully alive — and he longed to be enriched and more fully alive, rather than to recollect things in tranquility and forge them into a whole . . .

— Thomas Mann, Tonio Kröger

“Love” is the name for the desire and pursuit of wholeness

Our human race can only achieve happiness if love reaches its conclusion . . .

When a lover of boys, or any other type of person, meets that very person who is his other half, he is overwhelmed, to an amazing extent, with affection, concern and love. The two don’t want to spend any time apart from each other. These are people who live out whole lifetimes together, but still couldn’t say what it is they want from each other. I mean, no one could think that it’s just sexual intercourse they want, and that this is the reason why they find such joy in each other’s company and attach such importance to this. It is clear that each of them has some wish in his mind that he can’t articulate. Instead, like an oracle, he half-grasps what he wants and obscurely hints at it. Imagine that Hephaestus with his tools stood over them while they were lying together and asked: “What is it, humans, that you want from each other?” If they didn’t know, imagine what he asked next: “Is this what you desire, to be together so completely that you’re never apart from each other night and day? If this is what you desire, I’m prepared to fuse and weld you together, so that the two of you become one. Then the two of you would live a shared life, as long as you live, since you are one person; and when you died, you would have a shared death in Hades, as one person instead of two. But see if this is what you long for, and if achieving this state satisfies you.” We know that no one who heard this offer would turn it down and it would become apparent that no one wanted anything else. Everyone would think that what he was hearing now was just what he’d longed for all this time: to come together and be fused with the one he loved and become one instead of two. The reason is that this is our original natural state and we used to be whole creatures: “love” is the name for the desire and pursuit of wholeness.

— Aristophanes
Plato, The Symposium

Platonic love

The origin of the concept of “Platonic love” (which postdates Plato by several centuries) was not Plato’s belief that sex should be absent from gay affairs but his conviction that only love between persons of the same gender could transcend sex.

— John Boswell, Christianity, Social Tolerance, and Homosexuality

Metasound

Ringing throughout the house was an alarm bell that no one but Alfred and Enid could hear directly. It was the alarm bell of anxiety. It was like one of those big cast-iron dishes with an electric clapper that send schoolchildren into the street in fire drills. By now it had been ringing for so many hours that the Lamberts no longer heard the message of “bell ringing” but, as with any sound that continues for so long that you have to leisure to learn its component sounds (as with any word you stare at until it resolves itself into a string of dead letters), instead heard a clapper rapidly striking a metallic resonator, not a pure tone but a granular sequence of percussions with a keening overlay of overtones; ringing for so many days that it simply blended into the background except at certain early-morning hours when one or the other of them awoke in a sweat and realized that a bell had been ringing in their heads for as long as they could remember; ringing for so many months that the sound had given way to a kind of metasound whose rise and fall was not the beating of compression waves but the much, much slower waxing and waning of their consciousness of the sound. Which consciousness was particularly acute when the weather itself was in an anxious mood. Then Enid and Alfred — she on her knees in the dining room opening drawers, he in the basement surveying the disastrous Ping-Pong table — each felt near to exploding with anxiety.

— Jonathan Franzen, The Corrections