Bloomsday Countdown

An incoming train clanked heavily above his head, coach after coach. Barrels bumped in his head: dull porter slopped and churned inside. The bungholes sprang open and a huge dull flood leaked out, flowing together, winding through mudflats all over the level land, a lazy pooling swirl or liquor bearing along wideleaved flowers of its froth.

[5.313-317]

Expressing Time in terms of Space

[C]onsidering the length of time that had elapsed she had not changed very much, that is to say her face was not too utterly demolished for the face of a human creature subject, as we all are, to deformation at every moment of her trajectory into the abyss towards which she had been launched, that abyss whose direction we can express only by means of comparisons that are all equally invalid, since we can borrow them only from the world of space and their sole merit, whether we give them the orientation of height, length or depth, is to make us feel that this inconceivable yet apprehensible dimension exists.

— Proust, Time Regained

Bloomsday Countdown

Take a bath now: clean trough of water, cool enamel, the gentle tepid stream. This is my body.

He foresaw his pale body reclined in it at full, naked, in a womb of warmth, oiled by scented melting soap, softly laved. He saw his trunk and limbs riprippled over and sustained, buoyed lightly upwards, lemonyellow: his navel, bud of flesh: and saw the dark tangled curls of his bush floating, floating hair of the stream around the limp father of thousands, a languid floating flower.

[5.565-572]

The reader of his own self

In reality every reader is, while he is reading, the reader of his own self. The writer’s work is merely a kind of optical instrument which he offers to the reader to enable him to discern what, without this book, he would perhaps never have perceived in himself.

— Proust, Time Regained

4,000 year old Egyptian suicide note

Lo, my name is abhorred,
Lo, more than the odour of carrion
On summer days when the sky is hot.

Lo, my name is abhorred,
Lo, more than the odour of crocodiles,
More than sitting under the bank of crocodiles.

Lo, my name is abhorred,
Lo, more than a woman
Against whom a lie is told her husband.

. . . .

Death is before me today
As the odour of myrrh,
As when one sitteth under the sail on a windy day.

Death is before me today
As the odour of lotus flowers,
As one sitteth on the shore of drunkenness.

Death is before me today
As a man longs to see his house
When he has spent years in captivity.

[From Kay Redfield Jamison’s Night Falls Fast]

Sorrows are Servants

Sorrows are servants, obscure and detested, against whom one struggles, beneath whose dominion one more and more completely falls, dire and dreadful servants whom it is impossible to replace and who by subterranean paths lead us towards truth and death.

— Proust, Time Regained

Bloomsday Countdown

Where was the chap I saw in that picture somewhere? Ah yes, in the dead sea floating on his back, reading a book with a parasol open. Couldn’t sink if you tried: so thick with salt. Because the weight of the water, no, the weight of the body in the water is equal to the weight of the what? Or is it the volume is equal to the weight? It’s a law something like that. Vance in High school cracking his fingerjoints, teaching. The college curriculum. Cracking curriculum. What is weight really when you say the weight? Thirtytwo feet per second per second. Law of falling bodies: per second per second. They all fall to the ground. The earth. It’s the force of gravity of the earth is the weight.

[5.37-46]

the whole art of living is to make use of the individuals through whom we suffer

(every individual who makes us suffer can be attached by us to a divinity of which he or she is a mere fragmentary reflexion, the lowest step in the ascent that leads to it, a divinity or an Idea which, if we turn to contemplate it, immediately gives us joy instead of the pain which we were feeling before — indeed the whole art of living is to make use of the individuals through whom we suffer as a step enabling us to draw nearer to the divine form which they reflect and thus joyously to people our lives with divinities).

— Proust, Time Regained

Bloomsday Countdown

Angry tulips with you darling manflower punish your cactus if you don’t please poor forgetmenot how I long violets to dear roses when we soon anemone meet all naughty nightstalk wife Martha’s perfume.

[5.264-266]

nothing so cruel as to snatch a desperate woman away from death

One day when she had been left alone for a moment I found her out of bed, standing in her nightdress trying to open the window.

— Proust, The Guermantes Way

almost terrible energy

I walk from room to room trying to think of something to do — for a while I will do something, make cookies or clean the bathroom — make beds — answer the telephone — but all along I have this almost terrible energy in me and nothing seems to help. . . . I walk up and down the room — back and forth — and I feel like a caged tiger.

— Anne Sexton

Bloomsday Countdown

What, reduced to their simplest reciprocal form, were Bloom’s thoughts about Stephen’s thoughts about Bloom and about Stephen’s thoughts about Bloom’s thoughts about Stephen?

He thought that he thought that he was a jew whereas he knew that he knew that he knew that he was not.

[17.527-531]