Specimen

I turned sixty in Paris last year.
We stayed at the Lutetia,
where the Gestapo headquartered
during the war, my wife, two boys, and me,
and several old Vietnamese ladies
carrying poodles with diamond collars.

Once my father caught a man
stealing cigarettes out of one
of his vending machines.
He didn’t stop choking him
until the pool hall stunk of excrement
and the body dropped to the floor
like a judgment.

When I was last in Paris
I was dirt poor, hiding
from the Vietnam War.
One night, in an old chuch,
I considered taking my life.
I didn’t know how to be so young
and not belong anywhere, stuck
among so many perplexing melodies.

I loved the low white buildings,
the ingratiating colors, the ancient light.
We couldn’t afford such luxury.
It was a matter of pride.
My father died bankrupt one week
before his sixtieth birthday.
I didn’t expect to have a family;
I didn’t expect happiness.

At the Lutetia everyone
dressed themselves like specimens
they’d loved all their lives.
Everyone floated down
red velvet hallways
like scintillating music
you hear only once or twice.

Driving home, my father said,
“Let anyone steal from you
and you’re not fit to live.”
I sat there, sliced by traffic lights,
not belonging to what he said.
I belonged to a scintillating
and perplexing music
I didn’t expect to hear.

— Philip Schultz, Failure

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