Dread and Bliss

The person who has not, in a moment of firm resolve, accepted — yes, even rejoiced in — what has struck him with terror — he has never taken possession of the full, ineffable power of our existence. He withdraws to the edge; when things play out, he will be neither alive nor dead.

To discover the unity of dread and bliss, these two faces of the same divinity (indeed, they reveal themselves as a single face that presents itself differently according to the way in which we see it): that is the essential meaning and theme of both my books (The Sonnets to Orpheus and The Duino Elegies).

— Rilke, Letter to Countess Margot Sizzo-Noris-Crouy
April 12, 1923

Life’s Other Half

I am not saying that we should love death, but rather that we should love life so generously, without picking and choosing, that we automatically include it (life’s other half) in our love. This is what actually happens in the great expansiveness of love, which cannot be stopped or constricted. It is only because we exclude it that death becomes more and more foreign to us and, ultimately, our enemy.

It is conceivable that death is infinitely closer to us than life itself. . . . What do we know of it?

— Rilke, Letter to Countess Margot Sizzo-Noris-Crouy
Epiphany, 1923

Remembering

And you wait. You wait for the one thing
that will change your life,
make it more than it is —
something wonderful, exceptional,
stones awakening, depths opening to you.

In the dusky bookstalls
old books glimmer gold and brown.
You think of lands you journeyed through,
of paintings and a dress once worn
by a woman you never found again.

And suddenly you know: that was enough.
You rise and there appears before you
in all its longings and hesitations
the shape of what you lived.

— Rilke, Book of Images

she was carrying and cut her

At the corner she ran into old Mrs. Chalmers returning from the grave. The old woman looked down at the dead flowers she was carrying and cut her. The women in the cottages with the red geraniums always did that. She was an outcast. Nature had somehow set her apart from her kind. Yet she had scribbled in the margin of her manuscript: “I am the slave of my audience.”

— Virginia Woolf, Between the Acts

Annunciation (II)

(The angel speaks)

I stretched my wings wide
and became incredibly vast.
Now your narrow dwelling
overflows with my robes.
Yet you are alone as never before,
and barely look at me.
I could be just a breeze in the grove.
You, though, are the tree.

Never was there such longing,
so great and so uncertain.
Maybe something is soon to occur
that has come to you in dreams.
I greet you, for my soul sees now
that you have ripened and are ready.
You are a high and awesome gate
and soon you will open.
You are the ear my song is seeking,
the forest in which my word is lost.

So I came and made real
what you dared so long to dream.
God looked right at me, it was blinding . . .

You, though, are the tree.

— Rilke, Book of Images

Annunciation (I)

(The angel speaks)

It’s not that you are closer to God than we;
We are all far from God.
But your hands seem to me
so wonderfully blessed,
made ready as no other woman’s.
They are almost radiant.
I am the day, I am the dew.
You, though, are the tree.

I am tired now, I have traveled a long way.
Forgive me, but I have forgotten
what He, enthroned in gold like the sun,
wanted me to tell you, quiet one.
All that space made me dizzy.
But I am just the beginning.
You, though, are the tree.

— Rilke, Book of Images

Mirrors

Any angel is frightening.
Yet, because I know you,
I invoke you in spite of myself,
you lethal birds of the soul.

Fated to be happy from the beginning of time,
creation’s spoiled immortal darlings,
summits of the cosmos shining at dawn,
pollen from heavy blossoms, limbs of light,
hallways, stairs, thrones carved from existence,
shields of ecstasy, shrines for delight —
and suddenly, each one, mirror:
where our own evanescent beauty
is gathered into an enduring countenance.

— Rilke, From the Second Duino Elegy

What Will You Do, God?

What will you do, God, when I die?

I am your pitcher (when I shatter?)
I am your drink (when I go bitter?)
I, your garment; I, your craft.
Without me what reason have you?

Without me what house
where intimate words await you?
I, velvet sandal that falls from your foot.
I, cloak dropping from your shoulder.

What will you do, God? It troubles me.

— Rilke, From The Book of Hours I, 36

life is so much pleasanter if one is able to believe in one’s own latent greatness

While I sit here analyzing myself a sudden doubt assails me: did I really love cigarettes so much because I was able to throw all the responsibility for my own incompetence on them? Who knows whether, if I had given up smoking, I should really have become the strong perfect man I imagined? Perhaps it was this very doubt that bound me to my vice, because life is so much pleasanter if one is able to believe in one’s own latent greatness. I only put this forward as a possible explanation of my youthful weakness, but without any very great conviction.

— Italo Svevo, Confessions of Zeno

Since I’ve Learned to Be Silent

Since I’ve learned to be silent, everything has come so much closer to me. I am thinking of a summer on the Baltic when I was a child: how talkative I was to sea and forest; how, filled with unaccustomed exuberance, I tried to leap over all limits with the hasty excitement of my words. And how, as I had to take my leave on a morning in September, I saw that we never give utterance to what is final and most blessed, and that all my rhapsodic Table d’hote conversations did not approach either my inchoate feelings or the ocean’s eternal self-revelation.

— Rilke, Early Journals

Spring!

Spring! And Earth is like a child
who has learned many poems by heart.
For the trouble of that long learning
she wins the prize.

Her teacher was strict. We loved the white
of the old man’s beard. Now we can ask her
the many names of green, of blue,
and she knows them, she knows them!

Earth, school is out now. You’re free
to play with the children. We’ll catch you,
joyous earth. The happiest will catch you!

All that the teacher taught her — the many thoughts
pressed now into roots and long
tough stems: she sings! She sings!

— Rilke, Sonnets to Orpheus I, 21

The Highest Number In The Universe

When I was young I asked my father what the highest number was. He said, in that fatherly way: “Twenty is the highest number, my son. Not here, nor in the furthest reaches of the land, is there any number higher.” I was satisfied, I walked proud with my new knowledge and assurance.

Till I came of age, at twenty one.

I went to our village doctor, to tell him I had a Numerical Tumor in my age; that somehow I had grown an additional one on my twenty. He informed me there was no cure. Fortunately, the tumor was benign, although it would continue to grow.

I was fascinated by the knowledge of this learned man of science, and sought anew the answer to my question, ‘What is the highest number?’ The doctor regaled me with a scientific instrument, the abacus, and showed me that it could count as many as a hundred things. “But surely,” I asked, “if one had one hundred abacuses, one could use yet another abacus to count those hundred abacuses, and yet each of these could count a hundred more things. What, indeed, if there are yet more numbers, beyond the reach of this fine tool?”

The Doctor was all a-fluster, and told me in stern terms that any number that had not been counted on the abacus was not worth considering, and indeed could hardly be said to exist at all. He spoke of a man named William of Occam, and of something called the Least Hypothesis. But what use was all this to me, if the highest number was always the last number to which I had counted? Is it useful to know where the end of the earth is only after you have stepped over it?

I asked around the village for answers until they tired of my interrogations and told me to seek out the priest — a well-studied man, possessed, they said, of an answer for everything.

I soon learnt that the priest did have an answer for everything. The reason for this was that he didn’t waste very much time in finding them. He was a meek man, and did not need the fancy expensive answers so beloved of academics: he would make due with older answers, even if they were a tad worn out. The priest would see an old answer lying about, and say to himself, “Ahh, that would fit the question I have perfectly.” Whether or not the answer was right seemed to his mind a somewhat indulgent concern: “Oh no,” he mocked me, “My trousers are not the right trousers; my car is not right the car; and oh, my answers are not the right answers.” And through guffaws he said, “if the answer fits, it does the job.”

He told me that the highest number was Jesus Christ, and sent me on my way.

In desperation, I sought out the village idiot, and asked him what he believed the highest number to be.

“Austria,” said the idiot.

In his small way he had granted me wisdom, for I came to realise that if there was an answer to my question, I would not find it in my little village. So against the protests of my parents, I went out into the world in search of that elusive goal, The Highest Number In The Universe.

Many were the lands to which I travelled, and many were the experts I met. I know, for I counted them all. But not one of them could give me the answer I sought so dearly. Nobody could help me. Till I came upon the Mountain.

The peasants of the lower village told me that at the Mount’s summit lived a hermit, the wisest man living in this world or any other, and that if my answer existed, then surely he must know it.

So I climbed.

And there was a cave.

And in the cave was a hermit.

There was a sign at the entrance: “You don’t have to be enlightened to work here… but it helps!!!” The hermit sat within, heating beans in a rusty pan over a small fire.

I wasted no time, and silhouetted in the cave’s entrance, I asked, “What is the highest number?”

But the hermit only laughed and said, “Kid, you don’t wanna know,” and not a word more.

For three days I sat outside his cave, in blistering cold and through haunted nights. After three days he came out to me. “Look kid, it ain’t what you think… you can still just go home,” he said.

But I would not move, and so the hermit sighed and said, “Very well… The highest number is… gazillionty-seven.”

I looked at he. He looked at me, and grinned impishly. But I would not be bought off so easily, and so out-loud I counted: gazillionty-five, gazillionty-six, gazillionty-seven, gazillionty-ei… and blacked out.

When I awoke some time later, his wrinkled face was staring at me from above: “Told you so kid. You can’t go any higher.” Then his face took on a dark hue, and he whispered, “Here’s the thing, kid: there’s only gazillionty-six things in the whole universe.”

“Even if you count a pair of trousers as two things?” I asked.

“Even so,” he said. And then he just laughed and laughed and laughed, and pointed to the ceiling of his cave, where he had scrawled in red letters three feet wide:

Oh look at me you Wise Men
Sitting on my Mountain
With all the numbers in the world
And nothing to be countin’

I never go anywhere that’s more than twenty feet above sea-level anymore.

.

Sam Morris (Published in Philosophy Now, February/March 2010)

Like a Web

When I lean over the chasm of myself —
it seems
my God is dark
and like a web: a hundred roots
silently drinking.

This is the ferment I grow out of.

From The Book of Hours I, 3

The Interior Castle

Nowhere, Beloved, will the world exist, but within us.
Our lives are constant transformations. The external
grows ever smaller. Where a solid house once stood,
now a mental image takes its place,
almost as if it were all in the imagination.
Our era has created vast reservoirs of power,
as formless as the currents of energy they transmit.
Temples are no longer known. In our hearts
these can be secretly saved. Where one survives —
a Thing once prayed to, worshipped, knelt before —
its true nature seems already to have passed
into the Invisible. Many no longer take it for real,
and do not seize the chance to build it
inwardly, and yet more vividly, with all its pillars and statues.

— Rilke, From the Seventh Duino Elegy