The world was a cosmic wobble: a shimmy

If my mind could gain a firm footing, I would not make essays, I would make decisions; but it is always in apprenticeship and on trial.

— Montaigne

Lead, kindly fowl!

Lead, kindly fowl! They always did: ask the ages. What bird has done yesterday man may do next year, be it fly, be it moult, be it hatch, be it agreement in the nest.

— James Joyce, Finnegans Wake

Montaigne’s philosophy — maybe

If others examined themselves attentively, as I do, they would find themselves, as I do, full of inanity and nonsense. Get rid of it I cannot without getting rid of myself. We are all steeped in it, one as much as another; but those who are aware of it are a little better off — though I don’t know.

— Montaigne

Supreme hallucinations

Human existence being an hallucination containing in itself the secondary hallucinations of day and night (the latter an insanitary condition of the atmosphere due to accretions of black air) it ill becomes any man of sense to be concerned at the illusory approach of the supreme hallucination known as death.

— de Selby (via Flann O’Brien)

Brothers and Sisters

Physical kinship together with a strong difference in temperament, incidentally, is disturbing; sometimes the mere idea of kinship is enough, the consciousness of self; siblings often cannot bear each other in a way that goes far beyond anything that might be justified; it derives merely from the existence of the other, from the slightly distorted mirror image they have of each other.

— Robert Musil, The Man Without Qualities

Taxpayers vs. Liberal Arts

The concept of a productivity spreadsheet came from the Texas Public Policy Foundation, a conservative think tank that Gov. Rick Perry invited to a state university summit in May 2008. The group suggested several reforms with a common theme: Let taxpayers see what’s going on at every public institution—and let them decide what’s worth subsidizing.

Bill Peacock, a vice president at the foundation, acknowledges that this approach could mean a radical reshaping of academia, with far more emphasis on filling students with practical information and less on intellectual pursuits, especially in the liberal arts.

That’s OK by him. “Taxpayers of the state of Texas,” Mr. Peacock says, should decide whether “they should be spending two years paying the salary of an English professor so he can write a book of poetry simply to add to the prestige of the university or the body of literature out there.”

When the choice is put that bluntly, Chester Dunning, a history professor at Texas A&M, wonders if he’d pass muster. Mr. Dunning teaches two classes a semester and has won several teaching awards. His salary of about $90,000 a year also covers the time he spends researching Russian literature and history. His most recent book argues that Alexander Pushkin’s drama “Boris Godunov” was a comedy, not a tragedy.

Mr. Dunning says his scholarly work animates his teaching and inspires his students. “But if you want me to explain why a grocery clerk in Texas should pay taxes for me to write those books, I can’t give you an answer,” he says.

His eyes sweep his cramped office, lined with books. Then Mr. Dunning finds his answer. “We’ve only got 5,000 years of recorded human history,” he says, “and I think we need every precious bit of it.”

— From “Putting a Price on Professors,” wsj

American Essai

No prudent man dared to be too certain of exactly who he was or what he was about; everyone had to be prepared to become someone else. To be ready for such perilous transmigration was to become an American.

— Daniel Boorstin, describing the makeshift character of the colonial experience (Harpers)

Futility

Move him into the sun —
Gently its touch awoke him once,
At home, whispering of fields unsown.
Always it woke him, even in France,
Until this morning and this snow.
If anything might rouse him now
The kind old sun will know.

Think how it wakes the seeds, —
Woke, once, the clays of a cold star.
Are limbs, so dear-achieved, are sides,
Full-nerved — still warm — too hard to stir?
Was it for this the clay grew tall?
— O what made fatuous sunbeams toil
To break earth’s sleep at all?

— Wilfred Owen

To Dear Daniel

There is a loud noise of Death
Where I lay;
There is a loud noise of life
Far away.

From low and weary stride
Have I flown;
From low and weary pride
I have grown.

What does it matter now
To you or me?
What does it matter now
To whom it be?

Again the stain has come
To me;
Again the stain has come
for thee.

— Samuel Greenberg

This Living Hand

This living hand, now warm and capable
Of earnest grasping, would, if it were cold
And in the icy silence of the tomb,
So haunt thy days and chill thy dreaming nights
That thou wouldst wish thine own heart dry of blood
So in my veins red life might stream again,
And thou be conscience-calmed — see here it is —
I hold it towards you.

— John Keats’ last poem

My Cat :: Charles Baudelaire

My pretty cat to my heart I hold,
My heart ever warm to her;
Let me look thine eyes of agate and gold;
Thy claws keep sheathed in fur.

My finger strokes thy head, and thrills
Thy back that arches higher;
My touch with quivering rapture fills
Thy veins electric fire.

I dream of my love; her eyes like thine,
Profound and cold, sweet cat of mine,
My Soul dart-wounds fret.

A subtle air, a deadly sweet
Breathes round her, and from head to feet
Envelopes my brunette.

The silence speaks the scene

We may see and hear nothing if we choose of the shortlegged bergins off Corkhill or the bergamoors of Arbourhill or the bergagambols of Summerhill or the bergincellies of Miseryhill or the countrybossed bergones of Constitutionhill though every crowd has its several tones and every trade has its clever mechanics and each harmonical has a point of its own, Olaf’s on the rise and Ivor’s on the lift and Sitric’s place’s between them. But all they are all there scraping along to sneeze out a likelihood that will solve and salve life’s robulous rebus, hopping round his middle like kippers on a griddle, O, as he lays dormont from the macroborg of Holdhard to the microbirg of Pied de Poudre. Bohove this sound of Irish sense. Really?

— James Joyce, Finnegans Wake