You Inherit the Green

And you inherit the green
of vanished gardens
and the motionless blue of fallen skies,
dew of a thousand dawns, countless summers
the suns sang, and springtimes to break your heart
like a young woman’s letters.

You inherit the autumns, folded like festive clothing
in the memories of poets; and all the winters,
like abandoned fields, bequeath you their quietness.
You inherit Venice, Kazan, Rome;

Florence will be yours, and Pisa’s cathedral,
Moscow with bells like memories,
and the Troiska convent, and the monastery
whose maze of tunnels lies swallowed under Kiev’s gardens.

— Rilke, From The Book of Hours II, 10

The Apple Orchard (II)

The trees, like those of Dürer,
bear the weight of a hundred days of labor
in their heavy, ripening fruit.
They serve with endless patience to teach

how even that which exceeds all measure
must be taken up and given away,
as we, through long years,
quietly grow toward the one thing we can be.

— Rilke, New Peoms

The Oldest Work of Art

God is the oldest work of art. He is very poorly preserved, and many parts of him are later additions. But that is the way things get built: by our being able to talk about Him, by our having seen everything else.

— Rilke, Early Journals

The Apple Orchard (I)

Come now as the sun goes down.
See how evening greens the grass.
Is it not as though we had already gathered it
and saved it up inside us,

so that now, from feelings and memories,
from new hope and old pleasures,
all mixed with inner darkness,
we fling it before us under the trees.

— Rilke, New Poems

Lullaby

When it happens that I lose you,
will you find that you can sleep
without my whispering over you
like the rustling linden tree?

Without my lying awake beside you
and letting my words
fall upon your breast, your limbs,
your mouth, like petals of a rose?

Without my letting you be cradled
alone with what is yours,
like a garden abundant
with lavender and lemon balm.

— Rilke, New Poems

Wild Rosebush

How it stands there against the dark
of this late rainy hour, young and clean,
swaying its generous branches
yet absorbed in its essence as rose;
with wide-open flowers already appearing,
each unsought and each uncared-for.
So, endlessly exceeding itself
and ineffably from itself come forth,
it calls the wanderer, who in evening contemplation
passes on the road:
Oh see me standing here, see how unafraid I am
and unprotected. I have all I need.

— Rilke, Uncollected Poems

White Roses

Every day, on contemplating these exquisite white roses, I wonder if they are not the perfect image of the unity of being and non-being in our lives. That, I would say, constitutes the fundamental equation of our existence.

— Rilke, Letter to Madame M-R
January 4, 1923

Often When I Imagine You

Often when I imagine you
your wholeness cascades into many shapes.
You run like a herd of luminous deer
and I am dark, I am forest.

— Rilke, From The Book of Hours I, 45

Springtime People

We are no longer innocent; but we must make every effort to become primitive so that we can begin again each time, and from our hearts. We must become springtime people in order to find the summer, whose greatness we must herald.

— Rilke, Early Journals

What Kind of Courage Is Required of Us?

What kind of courage is required of us?

Imagine a person taken out of his room, and without preparation or transition placed on the heights of a green mountain range. He would feel an unparalleled insecurity, an almost annihilating abandonment to the nameless. He would feel he was falling into outer space or shattering into a thousand pieces. What enormous lie would his brain concoct in order to give meaning to this and validate his senses? In such a way do all measures and distances change for the one who realizes his solitude. These changes are often sudden and, as with the person on the mountain peak, bring strange feelings and fantasies that are almost unbearable. But it is necessary for us to experience that too. We must accept our reality in all its immensity. Everything, even the unheard of, must be possible within it. This is, in the end, the only kind of courage that is required of us: the courage to meet the strangest, most awesome, and most inexplicable of phenomena.

— Rilke, Borgeby gärd, Sweden, August 12, 1904
Letters to a Young Poet

Love Between Two People

No area of human existence is so burdened with conventions as love between two people. There are life-preservers of the most varied invention, life-boats and safety vests; society has fashioned rescue strategies of every description. Since it has chosen to take love as an easy pleasure, it must make it as cheap and as safe as all public amusements should be.

— Rilke, Rome, May 14, 1904
Letters to a Young Poet

Simply in Your Presence

I’m too alone in the world, yet not alone enough
to make each hour holy.
I’m too small in the world, yet not small enough
to be simply in your presence, like a thing —
just as it is.

— Rilke, From The Book of Hours I, 13