Live and invent

Live and invent. I have tried. I must have tried. Invent. It is not the word. Neither is live. No matter. I have tried. While within me the wild beast of earnestness padded up and down, roaring, ravening, rending. I have done that.

— Samuel Beckett, Malone Dies

I Come Home

I come home from the soaring
in which I lost myself.
I was song, and the refrain which is God
is still roaring in my ears.

Now I am still
and plain:
no more words.

— Rilke, From The Book of Hours I, 50

Summer Fruit

Full round apple, peach, pear, blackberry.
Each speaks life and death
into the mouth. Look
at the face of a child eating them.

The tastes come from afar
and slowly grow nameless on the tongue.
Where there where words, discoveries flow,
released from within the fruit.

What we call apple — dare to say what it is,
this sweetness which first condensed itself
so that, in the tasting, it may burst forth

and be known in all its meanings
of sun and earth and here.
How immense, the act and the pleasure of it.

— Rilke, Sonnets to Orpheus I, 33

The Shelter of Your Heart

Who knows: eyes may be watching us
from all sides. Ah, only stumbling toward you
am I no longer on display. Growing into you,
I am forever set invisibly
in the darkening shelter of your heart.

— Rilke, Uncollected Poems

The Gazelle (Gazella Dorcas)

Enchanted one: how can the harmony of two
Latin words ever attain the rhythm
that ripples through you like a promise.
From your brow rise leaf and lyre.

And all that is you turns to metaphor
in love poems whose phrases light
as rose petals remain in the expression
of one who, after reading, closes her eyes

to see you: almost in flight,
borne away in leaps that cease their springing
only when you stand stock still to listen;

as when a woman bathing in a woodland stream
pauses suddenly, and the water
mirrors her quick-turned face.

— Rilke, New Poems

In My Glad Hours

In my glad hours, I will make a city of your smile, a distant city that shines and lives. I will take one word of yours to be an island on which birches stand, or fir trees, quite still and ceremonial. I will receive your glance as a fountain in which things can disappear and above which the sky trembles, both eager and afraid to fall in.

I will know that all of this exists, that one can enter this city, that I have glimpsed this island and know exactly when there is no one else beside that fountain. But if I appear to hesitate, it is because I am not sure whether it is the forest through which we are walking or my own mood that is shaded and dark.

Who knows: maybe Venice, too, is just a feeling.

— Rilke, Early Journals

You are completely innocent

Yes, Lord, you are completely innocent; how can You conceive Nothingness, You who are fullness itself? Your presence is light, and changes all into light; how are You to know the twilight of my heart?

— Jean-Paul Sartre

Nothing is sacred

Nothing is richer than precious stones and than gold; nothing is finer than adamant, nothing nobler than the blood of kings; nothing is sacred in wars; nothing is greater than Socrates’ wisdom — indeed, by his own affirmation, nothing is Socrates’ wisdom.

— Jean Passerat

To Nothing

Nothing is the reward of good men who alone can pretend to taste it in long easy sleep, it is the meditation of the wise and the charm of happy dreamers. So excellent and final is it that I would here and now declare to you that Nothing was the gate of eternity, that by passing through Nothing we reached our every object as passionate and happy beings . . . indeed, indeed when I think what an Elixer is this Nothing I am for putting up a statue nowhere, on a pedestal that shall not exist, and for inscribing on it in letters that shall never be written:

TO NOTHING
THE HUMAN RACE IN GRATITUDE

— Hilaire Belloc

The creation of the world

Dear Professor:

……In the end I would much rather be a Basel professor than God; but I have not dared push my private egoism so far as to desist for its sake from the creation of the world. You see, one must make sacrifices however and wherever one lives. . . .
.

— Letter from Friedrich Nietzsche to Jacob Burckhardt, January 6, 1989; it resulted in Nietzsche’s institutionalization

To What Can We Turn

Oh, to what, then, can we turn
in our need?
Not to an angel. Not to a person.
Animals, perceptive as they are,
notice that we are not really at home
in this world of ours. Perhaps there is
a particular tree we see every day on the hillside,
or a street we have walked,
or the warped loyalty of habit
that does not abandon us.

Oh, and night, the night, when wind
hurls the universe at our faces.
For whom is night not there?

— Rilke, From the First Duino Elegy

History is a dimension man could have done without

He lives not in time but parallel to it, which is why it has never occurred to me to ask him what he thinks of events. He is one of those beings who make you realize that history is a dimension man could have done without.

— E. M. Cioran, on Samuel Beckett

Symbols of American Reluctance

I’m interested in the superhero in real life, but not the comic book version. I’ve had some distancing thoughts about them recently. I’ve come to the conclusion that what superheroes might be — in their current incarnation, at least — is a symbol of American reluctance to involve themselves in any kind of conflict without massive tactical superiority. I think this is the same whether you have the advantage of carpet bombing from altitude or if you come from the planet Krypton as a baby and have increased powers in Earth’s lower gravity. That’s not what superheroes meant to me when I was a kid. To me, they represented a wellspring of the imagination. Superman had a dog in a cape! He had a city in a bottle! It was wonderful stuff for a seven-year-old boy to think about. But I suspect that a lot of superheroes now are basically about the unfair fight. You know: people wouldn’t bully me if I could turn into the Hulk.

— Alan Moore
courtesy of Sleepz and Thinkz